HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Christina Hendricks

Philip Seymour Hoffman Lives Again in ‘God’s Pocket’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Watching Philip Seymour Hoffman perform, now that he has passed on, is a bittersweet reminder of his ability and power to embody his deeply felt characters. He does it again in one of his last roles, adding his special brand of acting to the messy story within the gritty noir drama, “God’s Pocket.”

Sarah Jessica Parker in ‘I Don’t Know How She Does It’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – She produced and starred in one of the great TV-to-film franchises of the last 15 years. She has made millions in endorsements for the fashion industry. She is married to a prominent celebrity who once played Ferris Bueller. Regarding Sarah Jessica Parker, “I Don’t Know How She Does It.”

Ryan Gosling Stars in Instant Classic ‘Drive’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Nicholas Winding Refn’s “Drive” is an amazing thriller, a modern examination of heroism filtered through the fairy tale culture of the underbelly of the movie machine that is easily one of the most memorable and effective films of not just this year but the last several.

Star-Studded Cast Makes For Good ‘Company’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Though I’ve often entertained the notion of attending an opera or sporting event at a local theater, I just can’t seem to bring myself to pay the admission. No filmed footage, however intimate and detailed, can truly capture the visceral energy of a live performance. No matter how close a camera can zoom in on the action, it still provides the worst seat in the house.

‘Life as We Know It’ is More Schlock From Katherine Heigl

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

Hot stories on the Web


Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker