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Jennifer Aniston

‘Cake’ Serves Emotionally Honest, Career-Growing Dramatic Role for Jennifer Aniston

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It’s been a while since I walked out of a screening so affected and feeling that I just experienced a truly honest, important film.

Sure, other ones have since, but back in 2007, “Once” especially made me feel that way long before the Oscars.

Horrible ‘We’re the Millers’ Wastes Huge Potential

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a point in “We’re the Millers” when the story fell off the table like a Slinky from a mountaintop. It’s as if other writers took over from a far superior dark comedy, and injected “heart” and middle age “stripping.” This all adds up to a difficult 110 minutes of lost life time.

Paul Rudd, Jennifer Aniston Take Funny Trip to Hippie Nirvana in ‘Wanderlust’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – David Wain’s “Wanderlust” is a deeply flawed movie. The female lead is woefully underwritten and the script pretty much falls apart at the end as characters do things they wouldn’t do and it rushes to its credits to wrap everything up in an awkward montage. But here’s the thing – it’s also DAMN funny.

Talented Cast Carries Dark Comedy of ‘Horrible Bosses’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There’s a theory that a film that should be judged based on how well it succeeds at what it attempts to do. If it’s a comedy, does it make you laugh? “Horrible Bosses” has some issues but it is an undeniably funny movie. With stellar comic timing from the entire ensemble and a dark streak of edgy humor with just enough wit to make it not seem cruel, this is one of the straight-up funniest movies of the year.

Adam Sandler, Jennifer Aniston Hit Career Lows in ‘Just Go With It’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – If you have a masochistic desire to see unlikable morons on a vacation you probably can’t afford, check out one of the worst movies in a long time, Adam Sandler’s horrendous “Just Go With It.” This is the kind of unmitigated disaster that had a group of critics trying to determine if it was Sandler’s worst film EVER. So, imagine your least favorite Sandler joint (may I suggest “Little Nicky” or “I Now Pronounce You Chuck and Larry”) and know that this one is arguably even more unbearable.

Ed Helms, John C. Reilly Find the Heart in ‘Cedar Rapids’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It is great to witness a star being born. Ed Helms, who so memorably stole the show in “The Hangover,” breaks out even further with a career defining performance as Tim Lippe in the warm and funny new comedy, “Cedar Rapids.” John C. Reilly, Anne Heche, Sigourney Weaver and Isiah Whitlock Jr. lend essential support.

Ben Affleck, Jennifer Aniston, Ginnifer Goodwin Nearly Save ‘He’s Just Not That Into You’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If you’ve ever been speed dating or even just on a series of dates in a short period of time, it’s not that different from the back and forth between good and bad in the latest romantic comedy, “He’s Just Not That Into You,” a mixed bag of cliches, comedy, coincidences, and cute coupling starring Jennifer Aniston, Ginnifer Goodwin, and many, many more.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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