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Ewan McGregor

‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

Flawless ‘Beauty and the Beast’ is a New Classic

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.

‘American Pastoral’ Should Have Been Put to Pasture

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Change can be a frightening part of life and the human experience. It is an unavoidable but often necessary transition for progress. If you fight change or innovation, the stagnation alone will weigh you down and hold you back. “American Pastoral” may deal with the themes of revolution, but that’s about all that is revolutionary or unique about this film.

Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out. This feather-weight trifle of a caper is only slightly more than the funny mustache movie its posters and trailer make it out to be.

Family Secrets, Fine Acting in ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There will be inevitable comparisons to the Pulitzer Prize-winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.

‘Jack the Giant Slayer’ Has Some Fee-Fi-Fo Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The trend of taking ancient fairy tales – “Hanzel and Gretel” and “Snow White,” for example – and converting them into computer generated mega-pictures is peculiar, and glaringly profitable (no “rights” to buy). The latest, “Jack and the Giant Slayer,” has some fun up the beanstalk again.

Shattering Power of True Story of ‘The Impossible’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Juan Antonio Bayona’s “The Impossible” captures what its title implies. It transports us to an unimaginable situation, into an absolute nightmare in which air is replaced by rushing water, families are ripped apart, and people’s lives hang in the balance. It is a remarkable achievement in filmmaking, a film that is at times devastating, at times emotional, at times inspirational, and always riveting. It’s one of the best films of 2012.

Ewan McGregor, Emily Blunt Flounder in ‘Salmon Fishing in the Yemen’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Often when novels with quirky titles get made into films, all that is left of the quirk is the name on the cover. That is exactly what has happened to “Salmon Fishing in the Yemen,” a tome authored by Paul Torday, and reduced to torpid blandness by director Lasse Hallstrøm.

Eye-Popping 3D, Same Story in ‘Star Wars: Episode 1 – The Phantom Menace’ Rerelease

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology. However, it can’t change the story or the now 13-year outrage regarding this weird take on the Stars Wars legacy. Were we ever that young and that angry?

Gina Carano, Ewan McGregor in Steven Soderbergh’s ‘Haywire’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Steven Soderbergh is one of the few directors who can do whatever the hell he wants. Whatever genre, whomever he casts, whichever story he chooses to tell – he pulls it off. He hasn’t made anything approaching a stumble since 2004’s “Ocean’s Twelve” (and, believe it or not, there have been eight films released since including this one) and his latest, “Haywire,” serves as further evidence that any conversation of the best working directors that doesn’t include him is incomplete.

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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