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Anna Faris

‘Cloudy with a Chance of Meatballs 2’ Wins with Foodimals, Overemphasizes Humans

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I was paying attention to the movie. Correction: I was mostly paying attention to the movie. It was challenging to ignore my angry, empty stomach and fully enjoy the food coma that is “Cloudy with a Chance of Meatballs 2”. Just don’t make the same mistake I did and eat before you do.

Funny, Political ‘The Dictator’ with Sacha Baron Cohen

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Ali G, Borat, Bruno and the Stationmaster Guy in “Hugo” is now “The Dictator.” Sacha Baron Cohen puts on another character mask and produces his usual style of cheap laughs with a surprising sense of political sharpness. Anna Faris and Ben Kingsley go along for the ride.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

Topher Grace Goes to 1980s in ‘Take Me Home Tonight’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nostalgia films need a couple of elements to make them work. First, instant recognition with the era, and second, a reason to go there. “Take Me Home Tonight” lacks both characteristics, and lead actor Topher Grace can’t seem to light a fire under the rest of it.

Dan Aykroyd, Justin Timberlake Sink in Horrible ‘Yogi Bear’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – “Yogi Bear,” the latest degradation in the cynical family film 3D marketing universe, has done the improbable. It has taken notable and nostalgic cartoon characters (Yogi and Boo Boo) and turned them into animatronic shills for a post modern bore of a story that wouldn’t work if Fellini were directing it. Dan Aykroyd and Justin Timberlake sell out (I mean lend) their voice talents.

‘Cloudy With a Chance of Meatballs’ Tastes Right For All Generations

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Proving that you should never judge an animated film by its cover or its typically predictable brethren, “Cloudy with a Chance of Meatballs” is a very funny comedy with one of the best voice casts in years, an enjoyable visual aesthetic, and even a heartwarming message that doesn’t come off over-cooked.

Seth Rogen Delivers in Controversial, Hilarious ‘Observe and Report’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The hysterically misleading TV spots for Jody Hill’s “Observe and Report” make it out to look like another broad comedy that might even have a cute romance between stars Seth Rogen and Anna Faris. There’s nothing cute or predictable about “Observe and Report”. And that’s precisely why it works.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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