Ari Graynor

Funny ‘The Disaster Artist’ Takes Us Back to ‘The Room’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “The Room” is a post-millennial cult movie that plays the midnight and college movie circuit, entertaining audiences with its sheer badness. Its story is told in the “The Disaster Artist,” featuring James Franco as the director of “The Room,” and he also directed the film. Very meta.

‘For a Good Time, Call...’ Has a Stellar Ringtone

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Rising above the usual romantic comedy dreck is an admirable achievement in today’s film landscape. “For a Good Time, Call…” is not only funny and unconventional, but focuses on the relationship between the two lead woman characters, portrayed by Lauren Miller and Ari Graynor.

Rashida Jones, Andy Samberg in ‘Celeste and Jesse Forever’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Rashida Jones has been a reliable co-star for years in films like “I Love You, Man” and TV shows like “The Office” and “Parks and Recreation” but she gets her most notable role to date in a film she co-wrote, the romantic dramedy “Celeste and Jesse Forever,” opening this weekend in Chicago.

Jonah Hill Gets Lost in Mediocre ‘The Sitter’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – David Gordon Green’s “Your Highness” was like a punch to the gut – an unqualified train wreck from someone who had been correctly dubbed one of the best working filmmakers. His same-year follow-up, “The Sitter,” opening this weekend, is far less disastrous but similarly disappointing in that it displays flaws that the talented director never showed even hints of previous to 2011.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

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