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Justin Timberlake

‘Inside Llewyn Davis’ Resonates Like Long-Lost Folk Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Films about musicians are remarkably common. Artists from one medium have always loved to put themselves in the well-worn shoes of craftsmen from another. Most of them are stories of an underrated talent rising to the top of his profession, designed for both audience and filmmaker to live vicariously through the protagonist’s success. “Inside Llewyn Davis,” the latest masterpiece from Joel & Ethan Coen, is not one of those stories.

Ben Affleck Can’t Save Limp ‘Runner Runner’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Off shore internet gambling sites, tons of money, glorious glamorous women, parties all the time – how the heck can all of that be dull? The new film “Runner Runner” found a way. Ben Affleck phones it in and Justin Timberlake is name recognition window dressing in this limp drama.

Clint Eastwood Whiffs in ‘Trouble with the Curve’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Clint Eastwood keeps going and going. His reputation as an actor is secure in a long career, and his power as a director is Oscar worthy. His ability to recognize a limp script? Not so much, if “Trouble with the Curve” is a gauge. Amy Adams and Justin Timberlake are along for the pitch.

‘In Time’ With Justin Timberlake Fails to Build on Clever Idea

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Andrew Niccol has delivered complex, daring science fiction before, most notably in his scripts for “The Truman Show” and “Gattaca.” Sadly, “In Time” will never be mentioned in the same breath with those films. This is a one-idea film and that one idea is poorly executed. With some of the cheesiest, surface-level dialogue of the year, a complete lack of chemistry between the leads, and some of the choppiest action editing of the year, “In Time” is a near disaster.

Mila Kunis, Justin Timberlake Try ‘Friends With Benefits’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It seems that carnal canoodling without strings attached seems all the rage in romantic comedies these days. The twentysomething set, having seen their share of divorces and break-ups, prefer the Justin Timberlake and Mila Kunis method in “Friends with Benefits.”

Cameron Diaz Commits Sin of Boredom in ‘Bad Teacher’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you’re going to be bad, be bad. But this is mainstream Hollywood “product,” starring Cameron Diaz, and while the concept of the new film “Bad Teacher” had promise, it eventually fell down on the weight of happy resolutions and the worse mortal sin for a comedy…it was dull.

Dan Aykroyd, Justin Timberlake Sink in Horrible ‘Yogi Bear’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – “Yogi Bear,” the latest degradation in the cynical family film 3D marketing universe, has done the improbable. It has taken notable and nostalgic cartoon characters (Yogi and Boo Boo) and turned them into animatronic shills for a post modern bore of a story that wouldn’t work if Fellini were directing it. Dan Aykroyd and Justin Timberlake sell out (I mean lend) their voice talents.

David Fincher’s ‘The Social Network’ is a Rare Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

Uproarious, Talent-Packed ‘The Love Guru’ a Script of Destiny From Funnyman Mike Myers

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Commendably co-written by Mike Myers (who also wrote characters for 2002’s “Austin Powers in Goldmember” and 1999’s “Austin Powers: The Spy Who Shagged Me”), you know lines like “sheket bevakasha” came directly from his bowels.

‘Southland Tales’ Starts With Bang, Ends With Sensory-Overloading Whimper

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – Unlike the world, “Southland Tales” starts with a bang but ends with a whimper. Richard Kelly’s opus of a film is little more than sensory overload meant to look like a political statement on the state of privacy, the war, news, entertainment and celebrities.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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