Justin Timberlake

Rating: 1.5/5.0

CHICAGO – Andrew Niccol has delivered complex, daring science fiction before, most notably in his scripts for “The Truman Show” and “Gattaca.” Sadly, “In Time” will never be mentioned in the same breath with those films. This is a one-idea film and that one idea is poorly executed. With some of the cheesiest, surface-level dialogue of the year, a complete lack of chemistry between the leads, and some of the choppiest action editing of the year, “In Time” is a near disaster.

Rating: 3.0/5.0

CHICAGO – It seems that carnal canoodling without strings attached seems all the rage in romantic comedies these days. The twentysomething set, having seen their share of divorces and break-ups, prefer the Justin Timberlake and Mila Kunis method in “Friends with Benefits.”

Rating: 2.5/5.0

CHICAGO – If you’re going to be bad, be bad. But this is mainstream Hollywood “product,” starring Cameron Diaz, and while the concept of the new film “Bad Teacher” had promise, it eventually fell down on the weight of happy resolutions and the worse mortal sin for a comedy…it was dull.

Rating: 0.5/5.0

CHICAGO – “Yogi Bear,” the latest degradation in the cynical family film 3D marketing universe, has done the improbable. It has taken notable and nostalgic cartoon characters (Yogi and Boo Boo) and turned them into animatronic shills for a post modern bore of a story that wouldn’t work if Fellini were directing it. Dan Aykroyd and Justin Timberlake sell out (I mean lend) their voice talents.

Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

Rating: 3.5/5.0

CHICAGO – Commendably co-written by Mike Myers (who also wrote characters for 2002’s “Austin Powers in Goldmember” and 1999’s “Austin Powers: The Spy Who Shagged Me”), you know lines like “sheket bevakasha” came directly from his bowels.

CHICAGO – Unlike the world, “Southland Tales” starts with a bang but ends with a whimper. Richard Kelly’s opus of a film is little more than sensory overload meant to look like a political statement on the state of privacy, the war, news, entertainment and celebrities.

CHICAGO – To thwart his fate of being royally screwed (“mommy, what does that mean?”), the ornery ogre who smells like the shallow end of a swamp has unwavering resolve to crown someone else as proxy for his kingdom’s recently croaked king.