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Neil Patrick Harris

‘A Very Harold & Kumar 3D Christmas’ Delivers Holiday Laughs

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “A Very Harold & Kumar 3D Christmas” delivers exactly what fans should expect from it and even a bit more, as the actors who play the stoner icons have gotten noticeably better at their craft and the production team behind the film has gone all out in a quest to throw as many jokes as possible at the viewer in a barrage of attempts at hilarity.

Star-Studded Cast Makes For Good ‘Company’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Though I’ve often entertained the notion of attending an opera or sporting event at a local theater, I just can’t seem to bring myself to pay the admission. No filmed footage, however intimate and detailed, can truly capture the visceral energy of a live performance. No matter how close a camera can zoom in on the action, it still provides the worst seat in the house.

Vanessa Hudgens, Alex Pettyfer Wallow in Aptly Titled ‘Beastly’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The main problem with “Beastly,” a modern high schooler retelling of “Beauty and the Beast,” is that the outcome is known (Beast will learn lessons, become handsome again). That leaves only the way it gets to that end for creating story. This film cannot find its way.

‘Cloudy With a Chance of Meatballs’ Tastes Right For All Generations

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Proving that you should never judge an animated film by its cover or its typically predictable brethren, “Cloudy with a Chance of Meatballs” is a very funny comedy with one of the best voice casts in years, an enjoyable visual aesthetic, and even a heartwarming message that doesn’t come off over-cooked.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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