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James Caan

‘The Gambler’ is a Sure Bet for the Holiday Weekend

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Gritty, funky and quote-worthy, this re-imagining of “The Gambler” – from a 1970s source film – is one of Mark Wahlberg’s best performances. His addicted-to-gaming soul has roots in other frustrations, and the actor is willing to communicate the whole range of emotions.

‘Cloudy with a Chance of Meatballs 2’ Wins with Foodimals, Overemphasizes Humans

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I was paying attention to the movie. Correction: I was mostly paying attention to the movie. It was challenging to ignore my angry, empty stomach and fully enjoy the food coma that is “Cloudy with a Chance of Meatballs 2”. Just don’t make the same mistake I did and eat before you do.

Adam Sandler, Andy Samberg Pulls Our Chains in ‘That’s My Boy’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Adam Sandler is just freaking with us now. His goal is obviously to create the raunchiest, sociopathic and off-putting comedies of all time, and “That’s My Boy” belongs in his Hall of Fame. The A-list cast helps out, including Andy Sandberg, James Caan, Susan Sarandon and Leighton Meester.

Keanu Reeves Sleepwalks Through ‘Henry’s Crime’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Keanu Reeves is the sort of actor who succeeds in spite of himself. His best work remains in the late ’80s and early ’90s, when he specialized in playing hazy-brained man-children, the best of which may have been Tod Higgins, the goofy race car driver in Ron Howard’s timeless 1989 comedy, “Parenthood.” Reeves transcended the silliness of his character with a performance of disarming warmth.

‘Cloudy With a Chance of Meatballs’ Tastes Right For All Generations

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Proving that you should never judge an animated film by its cover or its typically predictable brethren, “Cloudy with a Chance of Meatballs” is a very funny comedy with one of the best voice casts in years, an enjoyable visual aesthetic, and even a heartwarming message that doesn’t come off over-cooked.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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