CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.
CHICAGO – When David Gordon Green’s “Your Highness” hit fans of its writer/director and talented stars like a really bad pot hangover, its creators admitted that the project began life as a stoned what-if scenario. “Hey, let’s make a pot-laced fantasy movie, dude.” Seth Rogen & Evan Goldberg’s “This is the End” clearly had similar origins.
CHICAGO – “The Guilt Trip” is hideously uninspired dreck of the most shameful variety. It casts two major yet mismatched talents and refuses to utilize their distinctive gifts for the entirety of its running time. All they’re required to do is sleepwalk through a plot so uninspired that audiences will have no problem predicting its path with their eyes closed and their ears covered.
CHICAGO – There has to be something wrong with a movie that by the end, the thought is ‘how did they get a parking spot in San Francisco?’ and ‘how much does that house cost?’ “The Guilt Trip,” with Seth Rogen and Barbra Streisand, is a dispirited exercise in wasted potential.
CHICAGO – “Take This Waltz” is one of my most personally divisive films of the year. What I mean is that for every element of the movie that I truly adore, there’s one that I loathe. In the former category, there’s Michelle Williams’ striking performance and director Sarah Polley’s eye for color. In the latter category, there’s Polley’s script, one that simply never resonates as truthful and carries some of the worst dialogue of the year. There are elements here that work but every one is balanced by something that drives me crazy.
CHICAGO – Rising above the usual romantic comedy dreck is an admirable achievement in today’s film landscape. “For a Good Time, Call…” is not only funny and unconventional, but focuses on the relationship between the two lead woman characters, portrayed by Lauren Miller and Ari Graynor.
CHICAGO – The snappy new comedy “For a Good Time, Call…” is the first film of screenwriter Katie Anne Naylon and the feature debut of director Jamie Travis. It’s combines phone sex operators with friendship, and stars Lauren Miller and Ari Graynor.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the Sundance Film Festival hit “For a Good Time, Call…” with Seth Rogen, Kevin Smith and Nia Vardalos!
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 admit-two movie passes up for grabs to the advance screening of the new sci-fi/comedy “The Watch” with Ben Stiller, Vince Vaughn and Jonah Hill from writer Seth Rogen!
CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.