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Sacha Baron Cohen

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Sweet, Enjoyable ‘Madagascar 3: Europe’s Most Wanted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s incredibly rare to be able to say this – the third installment in a hit animated franchise could arguably be the best. “Madagascar 3: Europe’s Most Wanted” is certainly more fun, clever, and enjoyable than the last film in this series and probably holds its own against the original.

Funny, Political ‘The Dictator’ with Sacha Baron Cohen

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Ali G, Borat, Bruno and the Stationmaster Guy in “Hugo” is now “The Dictator.” Sacha Baron Cohen puts on another character mask and produces his usual style of cheap laughs with a surprising sense of political sharpness. Anna Faris and Ben Kingsley go along for the ride.

Gorgeous ‘Hugo’ Plays Like Cinematic Snow Globe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

‘Brüno’: Must a Movie Like This Be Broadcast Üniversal?

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – As a tribute to “Borat,” let’s start with a lesson in “not” jokes.

“Brüno” is everything one would hope for in a Sacha Baron Cohen return. The film is hilarious, unpredictable and worth every dollar it will make… NOT! There is a great fallacy that has spread in Hollywood and “Brüno” is one of its many victims.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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