Blythe Danner

‘The Chaperone’ is Excellent Lesson in 1920s Identity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Although mostly set in the early 1920s, “The Chaperone” has some pungent lessons regarding identity, and living life authentically. The story of former silent film star Louise Brooks and her first trip to New York City expresses both how we can live today and how they lived back then.

Life is Never Over in ‘I’ll See You in My Dreams’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Fairy tales can come true, it can happen to you, if you’re the main character in “I’ll See You in My Dreams.” Blythe Danner portrays a long-time widow whose routine is set, but life is what happens when you’re busy making other plans. The series of extraordinary events are life lessons, at a point in life where class is dismissed.

‘Hello I Must Be Going’ Provides Well-Deserved Star Vehicle for Melanie Lynskey

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Melanie Lynskey is one of those effortlessly sublime character actresses who always seemed destined for stardom. At age 16, she made an astonishing film debut in Peter Jackson’s “Heavenly Creatures” opposite Kate Winslet. In the years that followed, she has proven adept at playing everything from a good-hearted stepsister (in “Ever After”) to a severely screwed-up mom (in “Win Win”).

‘The Lucky One’ Suffers From Emotionally Constipated Performances

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’m of two minds about the work of Nicholas Sparks. On one hand, I admire his sensitive portrayals of good-hearted people, particularly young lovers, which serve as comfort food for teenagers overwhelmed by peer pressure. On the other hand, I’m also the guy who said the following about his last book-to-screen adaptation, “The Last Song”: “You may need a lump in your head before you can get one in your throat.”

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

Robert De Niro, Ben Stiller Seem Bored in Tepid ‘Little Fockers’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The Law of Diminishing Returns is alive and well in the “Meet the Parents” Franchise, as the third film in the series, “Little Fockers,” has a lazy, we-did-it-for-the-money veneer. They got the gang back together, Robert De Niro, Ben Stiller, Owen Wilson, Barbra Streisand and the rest, but with few exceptions they all seem bored with it all.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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