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Kristen Schaal

‘Cloudy with a Chance of Meatballs 2’ Wins with Foodimals, Overemphasizes Humans

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – I was paying attention to the movie. Correction: I was mostly paying attention to the movie. It was challenging to ignore my angry, empty stomach and fully enjoy the food coma that is “Cloudy with a Chance of Meatballs 2”. Just don’t make the same mistake I did and eat before you do.

Same Formula in Weak Sequel ‘Despicable Me 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Oh those wacky Minions. We just never know what those little yellow guys in “Despicable Me 2” will do, because they simply DO EVERYTHING! They sing, fart, burp, perform parodies and handle hazardous materials. More than comic relief, they are all-purpose story coverage.

Mike Birbiglia Steps Up in ‘Sleepwalk with Me’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s exciting to witness a breakthrough with a new film artist. The comedian Mike Birbiglia has adapted his one-man show, “Sleepwalk with Me,” into a movie, and the result is a naturalistic performance piece that plays both like a documentary and a Woody Allen film during the “Annie Hall” period. Birbiglia gets a little help from some friends like Lauren Ambrose, Kirsten Schaal, Wyatt Cenac and Amy Schumer.

Steve Carrell, Paul Rudd Serve ‘Dinner for Schmucks’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The third of the Steve Carrell Seasonal Movie Trilogy debuts with the uneven but absurd comedy “Dinner for Schmucks.” Paul Rudd, now the go-to actor for straight-man-yuppie-turned-wild-dude joins a strong cast, including the ubiquitous Zach Galifianakis, Jemaine Clement (”Flight of the Concords”), and Bruce Greenwood.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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