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Chris Evans

‘Snowpiercer’ is a Wild Ride, One-of-a-Kind Dystopia

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Travelers. We are travelers in this life, and metaphorically we’re mostly in coach, but sometimes manage to get some first class treatment. What if all this traveling were confined to one vehicle? Imagine a future world contained in a constantly traveling train, and the premise for “Snowpiercer” realizes a one-of-a-kind dystopia.

Near-Perfect ‘Captain America: The Winter Soldier’ Defies Common Sequel Disappointment

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If the original is anything to applaud, the sequel usually isn’t. And even more rarely is the sequel actually better.

While it’s aggressive to market “Captain America: The Winter Soldier” as one of the “best superhero movies of all time” and more realistic to pitch it as “better than ‘The Avengers,’” it most certainly is 2014’s best action flick yet and it definitely defies common sequel disappointment.

‘Captain America: The Winter Soldier’ Pledges Allegiance to Strong Action, Twists

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent. It’s not the hollow nostalgic relic seen in his debut “Captain America: The First Avenger”, nor is this the goofy time alien/boy scout he was made in to be in the ensemble film “The Avengers”. This version of Captain America, and the world he lives in, is leaner and meaner.

Great Michael Shannon Performance Can’t Thaw ‘The Iceman’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Another great Michael Shannon performance should come as no surprise as everything he touches lately seems to be interesting, from “Take Shelter” to “Boardwalk Empire” to letters written by batshit crazy sorority girls. However, his increasingly impressive ability can’t save “The Iceman,” a misguided, clichéd hitman flick that careens tonally and doesn’t really justify its existence. It doesn’t work as thriller or as drama, serving as little more than a performance piece for its talented star.

Summer Movie Season Explodes with ‘The Avengers’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When I was a kid, summer movies were an event. They weren’t just marketing tricks, young adult adaptations, or unnecessary sequels. They were blockbusters that you put on the calendar and counted the days until their arrival. Something of that summer movie magic has been lost in recent years – the sense that you weren’t just seeing a movie, you were experiencing something special.

Disappointing ‘Puncture’ With Chris Evans Doesn’t Stick

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s something about “Puncture” that feels like it should work. It’s easy to see why someone thought this true tale of a troubled man who realizes he has been presented with immense responsibility would make an engaging film, but the fact is that having an interesting true story doesn’t always translate to riveting drama.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

Despite Disastrous Skinny Steve, ‘Captain America: The First Avenger’ is Perfectly Imperfect

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.

Ambition, Ingenuity Win Fight of ‘Scott Pilgrim vs. the World’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Working from the graphic novels by Brian Lee O’Malley, Edgar Wright and Michael Cera deliver one of the most unique films of the year in the comeic-book/romance/comedy/video-game/pop-art/action/musical “Scott Pilgrim vs. the World.” You won’t see anything like this again for a long time. It’s an imperfect film that can get downright frustrating but it displays enough flashes of genius to warrant your time and demand your forgiveness of flaws.

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  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

  • reno 911 front.png

    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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