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Chris Evans

‘Avengers: Age of Ultron’ More Exhausting Than Exhilarating

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Avengers: Age Of Ultron” is another overstuffed, action packed CGI addled slugfest from the Marvel Cinematic Universe. but the effects are exhausting instead of exhilarating. What has set the Avengers apart is the great interplay between the characters – and when the movie stops to take a breath, those relationships shine through.

Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Mixed Bag of Marvel Tricks in ‘Avengers: Age of Ultron’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Whew. There is so much going on in “Avengers: Age of Ultron” that you practically need a program to keep up with the players. This mixed bag has overwrought comic book action, head shaking plot points, and the usual Marvel angst that includes some riveting scenes.

‘Snowpiercer’ is a Wild Ride, One-of-a-Kind Dystopia

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Travelers. We are travelers in this life, and metaphorically we’re mostly in coach, but sometimes manage to get some first class treatment. What if all this traveling were confined to one vehicle? Imagine a future world contained in a constantly traveling train, and the premise for “Snowpiercer” realizes a one-of-a-kind dystopia.

Near-Perfect ‘Captain America: The Winter Soldier’ Defies Common Sequel Disappointment

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If the original is anything to applaud, the sequel usually isn’t. And even more rarely is the sequel actually better.

While it’s aggressive to market “Captain America: The Winter Soldier” as one of the “best superhero movies of all time” and more realistic to pitch it as “better than ‘The Avengers,’” it most certainly is 2014’s best action flick yet and it definitely defies common sequel disappointment.

‘Captain America: The Winter Soldier’ Pledges Allegiance to Strong Action, Twists

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent. It’s not the hollow nostalgic relic seen in his debut “Captain America: The First Avenger”, nor is this the goofy time alien/boy scout he was made in to be in the ensemble film “The Avengers”. This version of Captain America, and the world he lives in, is leaner and meaner.

Great Michael Shannon Performance Can’t Thaw ‘The Iceman’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Another great Michael Shannon performance should come as no surprise as everything he touches lately seems to be interesting, from “Take Shelter” to “Boardwalk Empire” to letters written by batshit crazy sorority girls. However, his increasingly impressive ability can’t save “The Iceman,” a misguided, clichéd hitman flick that careens tonally and doesn’t really justify its existence. It doesn’t work as thriller or as drama, serving as little more than a performance piece for its talented star.

Summer Movie Season Explodes with ‘The Avengers’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When I was a kid, summer movies were an event. They weren’t just marketing tricks, young adult adaptations, or unnecessary sequels. They were blockbusters that you put on the calendar and counted the days until their arrival. Something of that summer movie magic has been lost in recent years – the sense that you weren’t just seeing a movie, you were experiencing something special.

Disappointing ‘Puncture’ With Chris Evans Doesn’t Stick

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s something about “Puncture” that feels like it should work. It’s easy to see why someone thought this true tale of a troubled man who realizes he has been presented with immense responsibility would make an engaging film, but the fact is that having an interesting true story doesn’t always translate to riveting drama.

Anna Faris Falls Flat in Awful ‘What’s Your Number?’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.

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