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Patrick Warburton

‘Mr. Peabody & Sherman’ Hindered by Extra Sidekick

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Talking dogs have been around for decades in animated movies and television shows, especially the anthropomorphized kind. From the superhero antics of Underdog to the biting sarcasm from the likes of Brian from “Family Guy” - take your pick and you can find a dog to your liking. I always took a shine to Mr. Peabody, the intelligent and resourceful beagle with a penchant for puns.

Fearless Comedy of Seth MacFarlane’s Original ‘Ted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ted” is one of the most inventive and surprising films of the year. It has a sense of humor that will be very familiar to fans of writer/director Seth MacFarlane’s “Family Guy” but is refreshingly unique in a film genre that is too often stale. In fact, most of the Summer 2012 movies have been incredibly predictable and there’s NOTHING predictable about “Ted.”

Andy Samberg, Witty Script Lift Animated ‘Space Chimps’ Off Launching Pad

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – So far in the 2008 summer animation season we’ve seen cuddly martial artists (“Kung Fu Panda”) and robots in love (“WALL-E”).

But where are the monkeys and how long before the first joke about flinging their poo?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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