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Amanda Seyfried

Avenging Pursuit Motivates Amanda Seyfried in ‘Gone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The premise of “Gone” is a beguiling notion. What if the victim of a traumatic crime can’t get authorities to believe her? The evidence doesn’t add up, there are no physical signs of struggle and no crime scene is found. Amanda Seyfried plays such a victim, and her very sanity is questioned.

‘In Time’ With Justin Timberlake Fails to Build on Clever Idea

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Andrew Niccol has delivered complex, daring science fiction before, most notably in his scripts for “The Truman Show” and “Gattaca.” Sadly, “In Time” will never be mentioned in the same breath with those films. This is a one-idea film and that one idea is poorly executed. With some of the cheesiest, surface-level dialogue of the year, a complete lack of chemistry between the leads, and some of the choppiest action editing of the year, “In Time” is a near disaster.

Unintentionally a Laughable Thriller, ‘Red Riding Hood’ Proves ‘Twilight’ Formula Can Flop

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Catherine Hardwicke, who only directed the first “Twilight” and none of the following franchise films because she felt rushed and financially constrained, has cleverly figured out how to make another “Twilight” under the guise of the name “Red Riding Hood”.

Vanessa Redgrave Shines in ‘Letters to Juliet,’ But Romantic Leads Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I want to live in the alternate universe where Vanessa Redgrave’s Claire is the lead of “Letters to Juliet” and the two vapid dorks who trail her on a journey of lost love can learn a lesson or two but never take the spotlight. Sadly, such is not the case with this Amanda Seyfried and Christopher Egan vehicle, a romantic drama entirely stolen from its young stars by a timeless actress.

Channing Tatum, Amanda Seyfried Can’t Quite Deliver ‘Dear John’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Love stories are as common at the movies as popcorn and sticky floors. Despite this, rising stars Channing Tatum and Amanda Seyfried add their own spin to the timeworn plot theme in “Dear John.”

‘Jennifer’s Body’ a Bloody, Out-of-Body Dud For Oscar-Winning ‘Juno’ Scribe Diablo Cody

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.

Despite Rollercoaster Energy, ‘Mamma Mia!’ Bellows Beloved ABBA Vocals With Feel-Good Appeal

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – While it’d be embellishment to say you’d have the time of your life at the new musical film “Mamma Mia!,” any dancing queen or an admirer of seeing Pierce Brosnan croon a tune instead of trigger James Bond destruction can at least have some of the time of your 108 minutes.

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  • Chronicle with Dane DeHaan

    CHICAGO – With great power comes great responsibility. Since the invention of the written word, authors have been playing with the idea that power leads to problems as it is man’s inherent nature to use that power to satisfy his own needs. Superhero fiction is based on it (good guys use their power for good, villains use it for evil). A lot of sci-fi is based on it. And the smash hit “Chronicle” (over $120 million worldwide with 10% of that as its budget), recently released on DVD and Blu-ray, cleverly plays with these themes in a way that feels new. The DVD offers nothing notable in terms of special features so one should probably expect a special edition to be released to coincide with the in-production “Chronicle 2.”

  • The Vow with Rachel McAdams and Channing Tatum

    CHICAGO – I feel like a bit of a confession is necessary to frame my opinion of the truly awful “The Vow.” Lest you think this is just some cynical male critic, I like “The Notebook” and “The Lake House.” I even kind of like “Dear John” and didn’t hate “The Time Traveler’s Wife.” Yes, I’m a cheeseball when the cheese is well-done. I wanted to like “The Vow.” There’s nothing to like here unless you find taking talented, charming actors and making them deadly dull likeable.

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