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Amanda Seyfried

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

Gorgeous Visuals Lift Mediocre Script of ‘Epic’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

“Epic” is the best-looking 3D animated film since “How to Train Your Dragon”. From the very first scenes, it has a mesmerizing visual palette as the natural world comes to life in a way reminiscent of “The Lord of the Rings” and “Avatar.” It’s gorgeous. Sadly, the lurching, generic script doesn’t live up to the look of the film but it’s worth seeing just for the memorable visuals.

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Avenging Pursuit Motivates Amanda Seyfried in ‘Gone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The premise of “Gone” is a beguiling notion. What if the victim of a traumatic crime can’t get authorities to believe her? The evidence doesn’t add up, there are no physical signs of struggle and no crime scene is found. Amanda Seyfried plays such a victim, and her very sanity is questioned.

‘In Time’ With Justin Timberlake Fails to Build on Clever Idea

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Andrew Niccol has delivered complex, daring science fiction before, most notably in his scripts for “The Truman Show” and “Gattaca.” Sadly, “In Time” will never be mentioned in the same breath with those films. This is a one-idea film and that one idea is poorly executed. With some of the cheesiest, surface-level dialogue of the year, a complete lack of chemistry between the leads, and some of the choppiest action editing of the year, “In Time” is a near disaster.

Unintentionally a Laughable Thriller, ‘Red Riding Hood’ Proves ‘Twilight’ Formula Can Flop

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Catherine Hardwicke, who only directed the first “Twilight” and none of the following franchise films because she felt rushed and financially constrained, has cleverly figured out how to make another “Twilight” under the guise of the name “Red Riding Hood”.

Vanessa Redgrave Shines in ‘Letters to Juliet,’ But Romantic Leads Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I want to live in the alternate universe where Vanessa Redgrave’s Claire is the lead of “Letters to Juliet” and the two vapid dorks who trail her on a journey of lost love can learn a lesson or two but never take the spotlight. Sadly, such is not the case with this Amanda Seyfried and Christopher Egan vehicle, a romantic drama entirely stolen from its young stars by a timeless actress.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Star Trek Into Darkness

    CHICAGO – With J.J. Abrams not involved with the creation of a third “Star Trek” movie, a compendium of his work within the franchise only seems fitting. Loaded with special features but only a few new ones, this disc set is a strong choice for those who don’t already have both entertaining blockbusters in their collection.

  • References to Salvador Dali Make Me Hot

    CHICAGO – In “References to Salvador Dali Makes Me Hot,” now at the Den Theatre in Chicago through September 7th, the intersect of author José Rivera and the strong cast of actors make for a formidable partnership. Committed and passionate interpreters take both the soft and edgy parts of the narrative to task.

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