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Amanda Seyfried

An Age Range of Human Conditions in ‘While We’re Young’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – We’re born, we’re nurtured, we seek purpose and we die. In between there are a million decisions between the words of that opening sentence, and writer/director Noah Baumbach understands that intuitively in his great new film, “While We’re Young.”

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

Notoriety Triggers the Breaking Point in ‘Lovelace’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

Gorgeous Visuals Lift Mediocre Script of ‘Epic’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

“Epic” is the best-looking 3D animated film since “How to Train Your Dragon”. From the very first scenes, it has a mesmerizing visual palette as the natural world comes to life in a way reminiscent of “The Lord of the Rings” and “Avatar.” It’s gorgeous. Sadly, the lurching, generic script doesn’t live up to the look of the film but it’s worth seeing just for the memorable visuals.

Turn Down the Invitation to ‘The Big Wedding’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Avenging Pursuit Motivates Amanda Seyfried in ‘Gone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The premise of “Gone” is a beguiling notion. What if the victim of a traumatic crime can’t get authorities to believe her? The evidence doesn’t add up, there are no physical signs of struggle and no crime scene is found. Amanda Seyfried plays such a victim, and her very sanity is questioned.

‘In Time’ With Justin Timberlake Fails to Build on Clever Idea

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Andrew Niccol has delivered complex, daring science fiction before, most notably in his scripts for “The Truman Show” and “Gattaca.” Sadly, “In Time” will never be mentioned in the same breath with those films. This is a one-idea film and that one idea is poorly executed. With some of the cheesiest, surface-level dialogue of the year, a complete lack of chemistry between the leads, and some of the choppiest action editing of the year, “In Time” is a near disaster.

Unintentionally a Laughable Thriller, ‘Red Riding Hood’ Proves ‘Twilight’ Formula Can Flop

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Catherine Hardwicke, who only directed the first “Twilight” and none of the following franchise films because she felt rushed and financially constrained, has cleverly figured out how to make another “Twilight” under the guise of the name “Red Riding Hood”.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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