Mark Wahlberg

Doggone Love! Audio Film Review of ‘Arthur the King’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review for “Arthur the King” the latest film from Mark Wahlberg, regarding an adventure race, a need for fulfillment in the pursuit of victory and an actual victory in a friendship with a dog. In theaters on March 15th.

Mark His Redemption! Audio Film Review of ‘Father Stu’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review on “Father Stu,” featuring Mark Wahlberg traveling down an unusual life path, portraying a character journey from unsuccessful boxer and actor to the priesthood. In theaters on Wednesday, April 13th, just in time for redemption on Easter weekend.

Say Hello to Your Mother and Kid! On-Air Review of ‘Uncharted’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show on WSSR-FM (Star 96.7 Joliet, Illinois) on February 18th, 2022, reviewing the new release, “Uncharted,” based on the popular video game, in theaters on February 18th.

Hit the Road Joe! On-Air Film Review of ‘Joe Bell’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 22th, 2021, reviewing the new film “Joe Bell” – featuring Mark Wahlberg – in theaters beginning July 23rd.

‘All the Money in the World’ Has a Soft Landing

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.

‘Transformers: The Last Knight’ is Bizarrely Enjoyable

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course.

Boston is Strong Again in Reliable ‘Patriots Day’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the context of history, and the way information is consumed these days, the Boston Marathon Bombing in 2013 seems both like yesterday and a long time ago. Director Peter Berg’s “Patriots Day” is the first film account of that horrid week, and features Mark Wahlberg.

Great Visuals Save the Shallow ‘Deepwater Horizon’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There are a few things in our lives that, if we’re lucky, we will never have to experience. Things like childbirth, limb loss, or a near death experience. The closest most of can get is by watching a well-made film. If “Deepwater Horizon” succeeds at anything, it’s creating the engrossing experience of being there on that fateful day.

‘Ted 2’ is a Funnier Film Than it Deserves to Be

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While it’s cruder and it can’t quite match the original “Ted,” “Ted 2” is still funnier than it has any right to be. It is unmistakably a Seth MacFarlane production, and there are a million reasons why this movie shouldn’t work, chief among them a plot that attempts to plop a foul mouthed talking teddy bear into a moralistic legal parable about civil rights. But I can’t deny I laughed throughout, almost despite myself.

It is Best to Steer Clear of This ‘Entourage’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I actually did watch the HBO show this big-screen iteration is based on, and I looked back in surprise to find the show actually lasted for 8 years. That’s a long time for a show that peaked in season two, and petered out into irrelevance somewhere around season four or so.

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