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Michael Caine

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

‘The Last Witch Hunter’ at Least is Hilariously Awful

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – You will see many many better movies this year, but you’re unlikely to see one quite this batshit crazy. I’ll give Vin Diesel this much credit, at least he’s created a memorably awful blockbuster instead of one that simply fades off into the moonlight.

‘Kingsman: The Secret Service’ is Fun, Very Odd

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Part James Bond, part absurdist adventure, “Kingsman: The Secret Service” is nonetheless a romp, with Colin Firth handling the Brit spy role with a natural aplomb. If the notion of a super secret rogue spy agency under a London tailor shop is something that sounds intriguing, that doesn’t even begin to tell the tale.

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Story of ‘Now You See Me’ a Bit Misdirected

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Boasting a big star ensemble cast, and themes of magical realism and misdirection, “Now You See Me” is an overdone, too-clever-for-its-own-good fantasy with some entertaining tricks. Jesse Eisenberg and Isla Fisher join veterans Woody Harrelson and Morgan Freeman in the magic mix.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Patrick McDonald: ‘The Dark Knight Rises’ is Glorious Epic of Heroic Proportions

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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