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Michael Caine

‘The Last Witch Hunter’ at Least is Hilariously Awful

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – You will see many many better movies this year, but you’re unlikely to see one quite this batshit crazy. I’ll give Vin Diesel this much credit, at least he’s created a memorably awful blockbuster instead of one that simply fades off into the moonlight.

‘Kingsman: The Secret Service’ is Fun, Very Odd

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Part James Bond, part absurdist adventure, “Kingsman: The Secret Service” is nonetheless a romp, with Colin Firth handling the Brit spy role with a natural aplomb. If the notion of a super secret rogue spy agency under a London tailor shop is something that sounds intriguing, that doesn’t even begin to tell the tale.

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Story of ‘Now You See Me’ a Bit Misdirected

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Boasting a big star ensemble cast, and themes of magical realism and misdirection, “Now You See Me” is an overdone, too-clever-for-its-own-good fantasy with some entertaining tricks. Jesse Eisenberg and Isla Fisher join veterans Woody Harrelson and Morgan Freeman in the magic mix.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Patrick McDonald: ‘The Dark Knight Rises’ is Glorious Epic of Heroic Proportions

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

Don’t Buy Ticket For ‘Journey 2: The Mysterious Island’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – If you hear an unusual sound this weekend, it may be Jules Verne, Robert Louis Stevenson, and Jonathan Swift spinning in their graves. The writers who have become an essential part of any growing person’s library have now been associated with a piece of 3D junk that insults the intelligence of everyone who sees it. “Journey 2: The Mysterious Island” is not a trip worth taking.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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