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John Ortiz

Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity. This is a tale of headline action specifically for January 16, 2015 and onward, in our new period of cyber terror.

Animal Psychology Charges Rugged Thug Tale ‘The Drop’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – For a film adapted from “Mystic River” and “Gone Baby Gone” author Dennis Lehane, there are no children in danger in “The Drop,” but there is a pit bull puppy named Rocco. The dog’s involvement in the story, an animal who gets as many closeups this side of a Charles Martin Smith film, invites the uncharacteristically blunt metaphor of how creatures fight for power, or even just the impression of power.

Philip Seymour Hoffman Stars in Directorial Debut ‘Jack Goes Boating’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the best working actors takes his skills behind camera in Philip Seymour Hoffman’s “Jack Goes Boating,” a character drama about one couple forming as another relationship falls apart at the same time. This gentle story of modern relationships is a subtle, slow-moving drama of moments and repercussions that works due to the talents of its cast and quality of its source material despite a few notable flaws.

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  • Punk Punk

    CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

  • Assassination Theater

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