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Seth MacFarlane

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

Fearless Comedy of Seth MacFarlane’s Original ‘Ted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ted” is one of the most inventive and surprising films of the year. It has a sense of humor that will be very familiar to fans of writer/director Seth MacFarlane’s “Family Guy” but is refreshingly unique in a film genre that is too often stale. In fact, most of the Summer 2012 movies have been incredibly predictable and there’s NOTHING predictable about “Ted.”

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

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    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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