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Seth MacFarlane

Despite Cast, ‘Sing’ Fails to Strike a Chord

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.

‘Ted 2’ is a Funnier Film Than it Deserves to Be

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While it’s cruder and it can’t quite match the original “Ted,” “Ted 2” is still funnier than it has any right to be. It is unmistakably a Seth MacFarlane production, and there are a million reasons why this movie shouldn’t work, chief among them a plot that attempts to plop a foul mouthed talking teddy bear into a moralistic legal parable about civil rights. But I can’t deny I laughed throughout, almost despite myself.

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

Fearless Comedy of Seth MacFarlane’s Original ‘Ted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ted” is one of the most inventive and surprising films of the year. It has a sense of humor that will be very familiar to fans of writer/director Seth MacFarlane’s “Family Guy” but is refreshingly unique in a film genre that is too often stale. In fact, most of the Summer 2012 movies have been incredibly predictable and there’s NOTHING predictable about “Ted.”

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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