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Jason Statham

Dull ‘Homefront’ Can’t Get Action into an Action Movie

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Sylvester Stallone is a difficult man to comprehend, unless if doing a thesis on male menopause. The one time screenwriter of gritty soul pictures like “Rocky,” “Paradise Alley” and “First Blood” is spending his later years pumping out undistinguished boom-boom pictures like “Homefront.”

Jason Statham Shows Range on Road to ‘Redemption’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Stephen Knight, the writer of brilliant scripts for “Eastern Promises” & “Dirty Pretty Things,” makes his directorial debut with “Redemption,” opening today in limited release, starring Jason Statham in a role that proves that he has more dramatic range than he’s usually asked to display.

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Sylvester Stallone in Formulaic ‘The Expendables 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Face it, it is fun to see the major action stars of the 1980s, ‘90s and now – Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Dolph Lundgren, Bruce Willis and Arnold Schwarzenegger – together again for “The Expendables 2.” Why the hell can’t anyone write a decent story for them?

Jason Statham in Highly Charged, Metaphoric ‘Safe’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is an underlying smokiness to the ultra-violent “Safe” that is worth exploring. By creating a triangle of doom between the Chinese mob (the Triads), the Russian mob and the corrupt New York City Police Department, it’s just a small leap to apply the same function between the countries they represent. Action star Jason Statham puts it all together.

‘Killer Elite’ Mistakes Cliché For Action

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Killer Elite” is an exhausting, nonsensical, illogical, loud collection of action clichés masquerading as a modern action film. It features characters less three-dimensional than most cartoons doing and saying things that are only done and said in movies. Bad movies. Really bad movies.

Jason Statham in ‘The Mechanic’ is a Mindless Repeat of All Prior Gun-Toting Slayers

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It wouldn’t be a Jason Statham film if in it he was just fixing cars. In “The Mechanic,” his profession is fixing people. And by fixing, like “The Transporter” he’s again cracking skulls.

Sylvester Stallone, Jason Statham Are Halfway in ‘The Expendables’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Seeing them all together was fun. Enduring some macho joshing, even in the form of stiff dialogue, was tolerable. But doing a bad, boring action movie with Sylvester Stallone trying to prop up his “legacy” was sadly too much to bear. Jason Statham, Jet Li, Mickey Rourke, Bruce Willis and Arnold Schwarzenegger are among “The Expendables.”

In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

Filled With Political Blackmail, ‘The Bank Job’ Pays Dividends

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Done properly, the classic heist or caper film is a welcomed genre of suspense-filled locations, stereotyped experts and the big cash payoff. Based in speculative part on the true story of a robbery in a vital London safety deposit vault, “The Bank Job” adds the spice of political intrigue as an underlying factor to the actual crime.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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