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Jason Statham

‘The Fate of the Furious’ is a Vehicle Running on Fumes

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Bigger, Dumber, and Duller…that’s the name of the game this time in this ongoing franchise which is now so ludicrous it makes Bond films seem like the epitome of realism. While it’s true this is the first time Oscar winners and a “Fast and the Furious” film have ever been associated together, there’s a dearth of inspiration in this eighth go around, as this series is now operating almost completely on autopilot.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Wham Bam Pass the Popcorn, Man For ‘Furious 7’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The “Fast & Furious” franchise of films has probably one of the strangest evolutions in action history. What began as a rebellious street race movie, has morphed into a sort of superhero saga. “Furious 7” amps up that element of it, creating a mythic and magical “Kingdom of F&F Cars.”

As Title Implies, ‘The Expendables 3’ Totally Expendable

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The old man as macho action hero trend has finally calcified. If you haven’t seen either of the two previous “Expendables” pictures – this is definitely not the place to start. Sylvester Stallone’s creaky franchise hits rock bottom with this shoddy looking, poorly paced, indifferently acted and overlong exercise in excess on the cheap. It supposedly cost $90 million dollars to make, but what’s onscreen looks like it should have gone direct to video. Some explosions look like they were created with an iPhone.

Dull ‘Homefront’ Can’t Get Action into an Action Movie

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Sylvester Stallone is a difficult man to comprehend, unless if doing a thesis on male menopause. The one time screenwriter of gritty soul pictures like “Rocky,” “Paradise Alley” and “First Blood” is spending his later years pumping out undistinguished boom-boom pictures like “Homefront.”

Jason Statham Shows Range on Road to ‘Redemption’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Stephen Knight, the writer of brilliant scripts for “Eastern Promises” & “Dirty Pretty Things,” makes his directorial debut with “Redemption,” opening today in limited release, starring Jason Statham in a role that proves that he has more dramatic range than he’s usually asked to display.

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Sylvester Stallone in Formulaic ‘The Expendables 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Face it, it is fun to see the major action stars of the 1980s, ‘90s and now – Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Dolph Lundgren, Bruce Willis and Arnold Schwarzenegger – together again for “The Expendables 2.” Why the hell can’t anyone write a decent story for them?

Jason Statham in Highly Charged, Metaphoric ‘Safe’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is an underlying smokiness to the ultra-violent “Safe” that is worth exploring. By creating a triangle of doom between the Chinese mob (the Triads), the Russian mob and the corrupt New York City Police Department, it’s just a small leap to apply the same function between the countries they represent. Action star Jason Statham puts it all together.

‘Killer Elite’ Mistakes Cliché For Action

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Killer Elite” is an exhausting, nonsensical, illogical, loud collection of action clichés masquerading as a modern action film. It features characters less three-dimensional than most cartoons doing and saying things that are only done and said in movies. Bad movies. Really bad movies.

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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