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Cliff Curtis

Nothing Nice to Say About Eddie Murphy’s ‘A Thousand Words’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – The movie business is a funny thing in that EVERYONE involved with “A Thousand Words” has moved on and yet there are studio executives who still want you to care enough to open your wallet. Who didn’t care before you? The writers who delivered once of the worst scripts in years, the director who proved that his pedestrian work on “Norbit” and “Meet Dave” was the pinnacle of his abilities, and the producers who let this cinematic crime get even more stale than when it was shot.

Zoe Saldana Sinks in Tedious, Illogical ‘Colombiana’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Only the director of “The Transporter 3” could make a movie in which the gorgeous Zoe Saldana changes outfits as often as she speaks lines of dialogue as dull as the tedious, illogical, useless “Colombiana.” Sure, the final showdown has some damn cool action but it takes a hundred often-unbearable minutes to get there.

Director M. Night Shyamalan Too Talky, Murky in ‘The Last Airbender’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The choices that M. Night Shyamalan makes in the progress of his filmography have become as perplexing as his early mysteries. “The Last Airbender,” featuring Dev Patel from “Slumdog Millionaire,” is an adaptation of a previous animated series, and although aimed at kids in the end seems tentative and…aimless.

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  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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