Jude Law

Rating: 4.0/5.0

CHICAGO – The production team of “Sherlock Holmes: A Game of Shadows” – designers, crew, writers, director and actors – should be proud of the level of respect they have given and embodied in delivering an updated Sherlock Holmes, Dr. Watson, Professor Moriarty and the like. They take liberties, of course, but they also make sure that the truth of the characters are always intact.

Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

Rating: 4.5/5.0

CHICAGO – A few weeks ago saw the release of the R-rated “Don’t Be Afraid of the Dark,” a gore-free creature feature that was given the MPAA stamp of 17-plus due to “pervasive scariness.” This week sees the PG-13-rated “Contagion,” a film SO much more pervasively scary than the movie about goblins in a distant mansion because, well, it’s about the fact that the world is pervasively scary.

Rating: 1.0/5.0

CHICAGO – Reminiscent of vastly superior work by David Cronenberg and Paul Verhoeven but with none of the directorial skill apparent in the films of those two talented men, “Repo Men” with Jude Law and Forest Whitaker is a total disaster possibly unmatched in the careers of its talented stars.

Rating: 3.5/5.0

CHICAGO – Bogart, James Dean and Heath Ledger are not dead, they’re just stuck in the Netflix queue. And Ledger, with a little help from some friends, gets one more theatrical release in “The Imaginarium of Doctor Parnassus.”

Rating: 3.5/5.0

CHICAGO – Instead of relying of high-tech gadgetry and big-budget Hollywood CGI, Guy Ritchie’s gritty “Sherlock Holmes” does what major films often don’t: delivers big-payoff action sequences merely utilizing the body and mind.

CHICAGO – We see sensual close-up shots of blueberry pie overflow with aqueducts of vanilla ice cream in Wong Kar-Wai’s opening sequence of “My Blueberry Nights”. This dreamy scene sets the tone of the latest film from the famous Chinese director as he confronts the West with his unique cinematic style.