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Allison Janney

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Cussing Doesn’t Spell Out Comedy in ‘Bad Words’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – In his directorial debut “Bad Words”, Jason Bateman plays Guy Trilby, a foulmouthed 40 year old man who aggressively competes in local youth spelling bees. The children are confused, and their parents are furious. However, the isolated Guy has no fear, with all of the rule loopholes in his back pocket (specifically that he never graduated eighth grade).

‘Mr. Peabody & Sherman’ Hindered by Extra Sidekick

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Talking dogs have been around for decades in animated movies and television shows, especially the anthropomorphized kind. From the superhero antics of Underdog to the biting sarcasm from the likes of Brian from “Family Guy” - take your pick and you can find a dog to your liking. I always took a shine to Mr. Peabody, the intelligent and resourceful beagle with a penchant for puns.

For a Real Summer Movie, Go ‘The Way, Way Back’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nothing evokes the time, sights and smells of summer like the getaway resort. The long days, the mystery of night, the first crush and the summer job are all brought back in the soapy yet fun “The Way, Way Back,” featuring Steve Carell, Sam Rockwell and Allison Janney.

Josh Radnor’s ‘Liberal Arts’ Takes Uncommonly Thoughtful Look at Growing Up

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Josh Radnor may be one of the most good natured humanists in modern American film. His perspective contrasts sharply with that of comedic auteurs intent on depicting a cynical view of the modern world clouded with nostalgia. Radnor may not yet be up to par with the filmmakers that have inspired him, namely Woody Allen, but his sophomore directorial effort, “Liberal Arts,” is practically bursting with promise.

Nothing Nice to Say About Eddie Murphy’s ‘A Thousand Words’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – The movie business is a funny thing in that EVERYONE involved with “A Thousand Words” has moved on and yet there are studio executives who still want you to care enough to open your wallet. Who didn’t care before you? The writers who delivered once of the worst scripts in years, the director who proved that his pedestrian work on “Norbit” and “Meet Dave” was the pinnacle of his abilities, and the producers who let this cinematic crime get even more stale than when it was shot.

Emma Stone, Viola Davis Lend a Hand to ‘The Help’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Using fiction to express the importance of real historical events is seductive and sometimes disingenuous. The new film “The Help” manages to counteract that notion through high level, emotional performances.

‘Life During Wartime’ Provides Haunting Coda to ‘Happiness’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Todd Solondz’s 1998 masterpiece, “Happiness,” is the darkest American comedy ever made. It’s so brutal and uncompromising that it calls into question the very definition of comedy. When one character explains to her sister that she isn’t laughing at her, but with her, the sister responds, “But I’m not laughing.” Solondz isn’t laughing either.

‘Away We Go’ From Sam Mendes a Slightly Bumpy Trip Worth Taking

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Has life always been this difficult? Doesn’t anybody ever stay together anymore? Have the pressures of modern times turned the majority of us into screw-ups?

“Away We Go” is a chronicle of couple – Burt and Verona (John Krasinski of NBC’s “The Office” and Maya Rudolph of “Saturday Night Live”) – attempting to resolve just that.

‘Juno’ the First LiveJournal, Blogger Film; Writer Diablo Cody a Standout Star

HollywoodChicago.com Oscarman rating: 4.5/5AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.

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  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

  • reno 911 front.png

    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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