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Charlize Theron

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

Fascinating Journey to ‘Prometheus’ Makes For Bumpy Ride

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind. Is it the perfect blend of adult, intellectual science fiction and summer action that I was hoping for at the beginning of the season?

‘Snow White and the Huntsman’ Dwarfed By Comatose Kristen Stewart, Melodramatic Charlize Theron

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?

Jason Reitman, Diablo Cody Sway Us to Like the Unlikable in ‘Young Adult’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?

Oppressively Bleak ‘The Road’ Buries Great Viggo Mortensen Performance

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.

Superhero Film ‘Hancock’ With No Superhero Ancestry Proves Bold But Deadly Decision

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With superhero films as hot in 2008 as psychedelics were in the 1960s, the new blockbuster superhero film “Hancock” fits in with the label but without any of the ancestry.

‘Sleepwalking’ Has Exactly That Potential Effect on Moviegoers

HollywoodChicago.com Oscarman rating: 0.5/5CHICAGO – When done improperly, there’s nothing more embarrassing than actors playing against their type or social class. There is a subtlety to channeling the lower middle or the working class beyond dressing down or developing a bad hairstyle. “Sleepwalking” is the type of film that gets it wrong and just gets worse as it tries harder.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Star Trek Into Darkness

    CHICAGO – With J.J. Abrams not involved with the creation of a third “Star Trek” movie, a compendium of his work within the franchise only seems fitting. Loaded with special features but only a few new ones, this disc set is a strong choice for those who don’t already have both entertaining blockbusters in their collection.

  • References to Salvador Dali Make Me Hot

    CHICAGO – In “References to Salvador Dali Makes Me Hot,” now at the Den Theatre in Chicago through September 7th, the intersect of author José Rivera and the strong cast of actors make for a formidable partnership. Committed and passionate interpreters take both the soft and edgy parts of the narrative to task.

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