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Melissa McCarthy

‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Melissa McCarthy Really Proves She is ‘The Boss’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If anything, “The Boss” is a bigger testimony to Melissa McCarthy’s status as a comic superpower than her breakthrough role in “Bridesmaids.” That one had a veritable treasure trove of comedic talent, while McCarthy has considerably less to work with here.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Melissa McCarthy, Sandra Bullock Fuel ‘The Heat’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – An incredibly talented ensemble elevates a pretty pedestrian script in the just-funny-enough “The Heat,” a movie that gets better as it goes along, largely because its two mega-talented stars carry it over some mediocre patches of writing. Melissa McCarthy and Sandra Bullock simply have unimpeachable comic timing.

Worse Than a Real One, ‘The Hangover Part III’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.

Kristen Wiig Carries Charming Comedy of ‘Bridesmaids’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – With an incredibly talented ensemble, heartfelt script, and honest characterizations, “Bridesmaids” has been touted as a revolutionary re-examination of what one should expect from the phrase “chick flick.” Having never been much of a fan of genre labels, the idea that this film should be judged differently because it has female stars irks me a bit, but if that gets more people into theatre seats and away from the junk that typically qualifies as “entertainment for women,” I’ll happily embrace it. For whatever reason you see it, the most important thing to know is this simple – “Bridesmaids” is funny. Damn funny.

‘Life as We Know It’ is More Schlock From Katherine Heigl

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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