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Jennifer Lopez

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Boredom Awaits During ‘What to Expect When You’re Expecting’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Battleship” is getting a lot of flack this week for having little to do with its alleged source. I would argue that the awful “What to Expect When You’re Expecting” is even more dishonest when it comes to its inspiration. Working from an instructional book that’s designed to prepare adults for impending parenthood, the film that steals its title turns truth into cliché.

No Redeeming Quality to Jennifer Lopez’s ‘The Back-up Plan’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “The Back-up Plan,” starring Jennifer Lopez, is spectacularly bad. Filled with leaden, supposedly comedic lines, stupid generalities and no basis in reality, this film ranks first in class for worst of 2010 so far.


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  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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