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Jennifer Lopez

Jason Statham Steers Convoluted Tale as ‘Parker’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.

Boredom Awaits During ‘What to Expect When You’re Expecting’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Battleship” is getting a lot of flack this week for having little to do with its alleged source. I would argue that the awful “What to Expect When You’re Expecting” is even more dishonest when it comes to its inspiration. Working from an instructional book that’s designed to prepare adults for impending parenthood, the film that steals its title turns truth into cliché.

No Redeeming Quality to Jennifer Lopez’s ‘The Back-up Plan’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “The Back-up Plan,” starring Jennifer Lopez, is spectacularly bad. Filled with leaden, supposedly comedic lines, stupid generalities and no basis in reality, this film ranks first in class for worst of 2010 so far.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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