CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.
CHICAGO – There are many categories of film director types – facilitators, tacticians, framers, to name a few – but there are few real artists. Bennett Miller has guided three films in his career, “Capote,” “Moneyball” and his latest “Foxcatcher.” All three have a purposeful artistry, and explore the soul within the humanity it portrays.
CHICAGO – “Fury” just might be Brad Pitt’s “Saving Private Ryan.” At its heart it’s a crowd pleaser, but it never shies away from the sheer brutality of war. While it doesn’t have anything quite so devastating as “Saving Private Ryan’s” D-day sequence, it depicts the everyday horrors of killing the enemy and the men who must force themselves to make their peace with the casualties that pile up in the muck. “Fury” is equally successful in its battle sequences and in its smaller moments among its crew inside the tank. Most surprisingly of all it coaxes a decent, dare I say good, performance out of none other than Shia LaBeouf – wonders never cease.
CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.
CHICAGO – A man is chained to the floor in a dark, barren room. He has been ripped from his family and his freedom, and we watch as he’s whipped with amazing brutality. It goes on well past the point that most films with similar human suffering would have cut to a less stressful image.
HollywoodChicago.com Hookup: Free Double-Feature Tickets to ‘Star Trek Into Darkness,’ ‘World War Z’Submitted by HollywoodChicago.com on August 25, 2013 - 4:37pm
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CHICAGO – Earnest family man, check. Somber, ineffective bureaucrats, check. Monsters in nature created through mankind’s hubris, check. Unintentional laughs, check and checkmate. That describes every plot of a 1950s end-of-the-world movie treatment, and the latest Brad Pitt film, “World War Z.”
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CHICAGO – Andrew Dominik delivered one of the best movies of the ’00s the last time he worked with Brad Pitt when the two made “The Assassination of Jesse James by the Coward Robert Ford.” And so there was intense anticipation for their follow-up collaboration, “Killing Them Softly,” recently released on Blu-ray and DVD. Call it a sophomore slump but “KTS” is a film with tons of style and some interesting ideas that nonetheless feels like a dirge and plays like a film twice as long as its running time.
CHICAGO – If there ever was an industry that deserved a good metaphor bashing, it would be the financial sector. “Killing Them Softly” does a hit-over-the-head with the symbolism, but at the same time delivers a gritty and literate parable, featuring Brad Pitt, James Gandolfini and Ray Liotta.
CHICAGO – Blame the recent popularity of “The Walking Dead,” but zombies have never been more mainstream consumer-friendly and, as such, Hollywood is taking advantage of the trend. And one of the many great things about zombie movies is that they’re scalable.