CHICAGO – Mention the name Harry Lennix, and images of his many character roles are bound to emerge – Harold Cooper in the TV series “The Blacklist,” General Swanwick from “Batman v Superman” and Commissioner Blades from Spike Lee’s recent “Chi-Raq.” The deeply knowledgeable Lennix brings his years of dramatic expertise, as he directs the Congo Square Theatre Company’s world premiere stage play “A Small Oak Tree Runs Red.’
CHICAGO – When HollywoodChicago.com last spoke to writer/director Adam McKay in 2013, he was about to release “Anchorman 2,” and wasn’t really known for anything but his wacky comedy films. That all changed this month, with the release of “The Big Short,” a brilliant indictment of the financial meltdown of 2007 and ’08, and an impressively creative and serious effort from the comic director.
CHICAGO – This is a rare film that will fill you with anger, while making you laugh at the absurdity of 21st Century life. “The Big Short” is an inside look at the mortgage meltdown that began in 2007, that cost eight million jobs and an untold amount of foreclosures, and the men who knew it was coming.
CHICAGO – There are many categories of film director types – facilitators, tacticians, framers, to name a few – but there are few real artists. Bennett Miller has guided three films in his career, “Capote,” “Moneyball” and his latest “Foxcatcher.” All three have a purposeful artistry, and explore the soul within the humanity it portrays.
CHICAGO – “Fury” just might be Brad Pitt’s “Saving Private Ryan.” At its heart it’s a crowd pleaser, but it never shies away from the sheer brutality of war. While it doesn’t have anything quite so devastating as “Saving Private Ryan’s” D-day sequence, it depicts the everyday horrors of killing the enemy and the men who must force themselves to make their peace with the casualties that pile up in the muck. “Fury” is equally successful in its battle sequences and in its smaller moments among its crew inside the tank. Most surprisingly of all it coaxes a decent, dare I say good, performance out of none other than Shia LaBeouf – wonders never cease.
CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.
CHICAGO – A man is chained to the floor in a dark, barren room. He has been ripped from his family and his freedom, and we watch as he’s whipped with amazing brutality. It goes on well past the point that most films with similar human suffering would have cut to a less stressful image.
HollywoodChicago.com Hookup: Free Double-Feature Tickets to ‘Star Trek Into Darkness,’ ‘World War Z’Submitted by HollywoodChicago.com on August 25, 2013 - 5:37pm
CHICAGO – What’s better than two blockbusters for the price of one? HollywoodChicago.com readers will score 20 pairs of guaranteed pick-your-showing double-feature tickets plus 10 prize packs to “Star Trek Into Darkness” and “World War Z” for free!
CHICAGO – Earnest family man, check. Somber, ineffective bureaucrats, check. Monsters in nature created through mankind’s hubris, check. Unintentional laughs, check and checkmate. That describes every plot of a 1950s end-of-the-world movie treatment, and the latest Brad Pitt film, “World War Z.”
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated new zombie film “World War Z” with Brad Pitt!
CHICAGO – Andrew Dominik delivered one of the best movies of the ’00s the last time he worked with Brad Pitt when the two made “The Assassination of Jesse James by the Coward Robert Ford.” And so there was intense anticipation for their follow-up collaboration, “Killing Them Softly,” recently released on Blu-ray and DVD. Call it a sophomore slump but “KTS” is a film with tons of style and some interesting ideas that nonetheless feels like a dirge and plays like a film twice as long as its running time.