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Channing Tatum

Film Review: ‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

Film Review: ‘The LEGO Batman Movie’ Delivers the Usual Laughs

LEGO Batman Movie, The

CHICAGO – “The LEGO Batman Movie” is more of a parody than the laugh-out-loud hijinks of the surprising “The LEGO Movie,” but the legend of The Bats is ripe for a good skewering, and the movie has a lot of fun doing it. Will Arnett reprises the voice as the title character, with Zach Galifianakis taking on the antics of The Joker.

Film Review: ‘Hail, Caesar!’ is Coen Bros. Excellence for Movie Lovers

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

Film Review: Quentin Tarantino Stays Familiar in ‘The Hateful Eight’

CHICAGO – Story-wise, there is not much difference in “The Hateful Eight” – regarding themes and violence – that writer/director Quentin Tarantino hasn’t explored before. But it is also an outrageous and big western tale, and it’s presented in some theaters in a huge 70mm screen format.

Film Review: Nichely Entertaining ‘Magic Mike XXL’ a Substanceless Soft Porn

Magic Mike XXL with Channing Tatum

CHICAGO – You know those amateur porns with no-name actors that use cheesy dialogue in between the sex scenes those viewers simply want? You never expect a real story or actually developed characters because it’s a collection of sex scenes. It’s not a real, you know, movie.

Interview: Jada Pinkett Smith Plays Host in ‘Magic Mike XXL’

CHICAGO – Jada Pinkett Smith was doing it her way long before she became half of one of Hollywood’s biggest power couples. From modest beginnings, she worked her way up through the entertainment ranks on television, movies and in a metal band (more on that below). She portrays Rome in the sequel “Magic Mike XXL.”

Slideshow: Lana & Andy Wachowski Red-Carpet Appearance for ‘Jupiter Ascending’

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Lana Wachowski at the Chicago International Film Festival Red-Carpet Premiere of ‘Jupiter Ascending.’

CHICAGO – The City of Chicago has more than their share of Hollywood here, as represented by local filmmakers Lana and Andy Wachowski. The siblings have made sure that the Windy City is well represented in their latest science fiction film release, “Jupiter Ascending.” Chicago plays a prominent role in the film, which opened on February 6th, 2015.

Film Review: ‘Jupiter Ascending’ Might Cause Attention Descending

CHICAGO – “Jupiter Ascending” is certainly one of the oddest and densest of sci-fi movies, this side of “Dune,” and has some of the most laughable acting and dialogue seen in a major film in awhile. But the worst offense is that the film is dull, and practically without emotion or human empathy.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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