CHICAGO – Chris Rock isn’t a huge writer/director, but when he does make a film, it’s an event to consider. For example, he made black president tale “Head of State” long before then-senator Barack Obama was even considered for the real-life role, and whether behind the stand-up mic or in an interview, he’s a voice to be reckoned with.
Sony Pictures Classics
CHICAGO – In the War on Truth, there is no more fertile battleground that the United States. As special interests and corporations continue to pour money into their agendas, the traditional information delivery systems – print, broadcast and the internet – are capitulating to liars for the sake of dollars and both-sides-do-it reporting. Director Robert Kenner profiles these “Merchants of Doubt” in his new documentary.
CHICAGO – Road rage, parking fines and weddings are unlikely subjects designed to showcase criminal inhumanity, but “Wild Tales” – from Argentina – takes those common themes and provides some lessons on the breakdown of our civilizaton, in a momentous prologue and five stellar stories.
CHICAGO – How often can we learn life lessons from the most unlikely of sources? The documentary “Red Army” is one such source, as director Gabe Polsky tells the story of the Soviet Union hockey team, which expands to the the very parameters of human nature and competition.
CHICAGO – Every red-blooded American has been told the story of the “Miracle on Ice,” the 1980 Winter Olympic upset of the mighty Soviet Union hockey team by Team USA. But who were the Soviet players? Why were they the best in the world? Director Gabe Polsky explores these questions in the documentary “Red Army.”
CHICAGO – In one of the best film acting performances from 2014, Julianne Moore devastatingly portrays a woman in her fifties who is a victim of early onset Alzheimer’s disease. As the effects of dementia physically deteriorates her life, it is a wonder if she is “Still Alice.”
CHICAGO – The thing that can be said for British writer/director Mike Leigh is that it’s never known what story may capture his fancy. The auteur of “Happy-Go-Lucky,” “Topsy-Turvy,” “Secrets and Lies” and “Life is Sweet” now tackles the last quarter century of a notable British painter’s life, through his strange maneuverings and unconventionality, in “Mr. Turner.”
CHICAGO – In the memorable film “Barton Fink,” the title character is asked to write a wrestling movie for Wallace Beery. If Fink had isolated himself long enough, he might have come up with “Foxcatcher,” demonstrating once again that a true story is much stranger than fiction.
CHICAGO – There are many categories of film director types – facilitators, tacticians, framers, to name a few – but there are few real artists. Bennett Miller has guided three films in his career, “Capote,” “Moneyball” and his latest “Foxcatcher.” All three have a purposeful artistry, and explore the soul within the humanity it portrays.
CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).
CHICAGO – Simply one of the best movies of 2014, “Whiplash” has a tone, energy and sensibility all its own. Damien Chazelle wrote and directed the story of a jazz drummer prodigy at a prestigious New York City music college, tortured by his tyrannical instructor. The drama is scintillating, in rhythm with the natural story flow.