CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Any story involving family interactions is ripe for exploration, and John Krasinski (“The Office”) performs in and takes the director’s chair for the new film, “The Hollars.” This is his second directorial effort, looking at the somewhat dysfunctional title family during a medical crisis involving the mother (Margo Martindale).
CHICAGO – Director Michael Bay’s new film interpretation of the controversial Libyan battle, “13 Hours: The Secret Soldiers of Benghazi,” began with the true events. Consulting the production were three of the actual participants in that tense battle, Kris “Tanto” Paronto, Mark “Oz” Geist and John “Tig” Tiegan.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘13 Hours: The Secret Soldiers of Benghazi’ From Michael BaySubmitted by HollywoodChicago.com on January 7, 2016 - 3:14pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated thriller “13 Hours: The Secret Soldiers of Benghazi” starring John Krasinski from Michael Bay!
CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.
CHICAGO – The master animator and film legend Hayao Miyazaki (“Howl’s Moving Castle,” “Spirited Away,” “Princess Mononoke”) announced his retirement after his latest film, “The Wind Rises.” He is often called “Japan’s Walt Disney,” but there is more to him then that, a soul and a mystery that is revealed in the stages of his animated art, and his contribution to artistic culture will continue to influence for generations to come. “The Wind Rises” is nominated for Best Animated Film at the 2014 Academy Awards.
CHICAGO – When a film promises to tackle a timely topic like fracking, it has raised the bar of expectations considerably. Sure, the filmmakers don’t need to take a stand on the issues they raise, but they have an obligation to explore them with some level of depth or insight. Otherwise, they risk getting charged with committing a “bait and switch,” and that’s precisely what Gus Van Sant’s “Promised Land” does.
CHICAGO – As I learned on my inaugural trip to Sundance (check out all the coverage here) this year, there is common discussion as to how things will play outside of the thin mountain air of Park City. People wonder what will be the next “Beasts of the Southern Wild” or “Winter’s Bone” and what will never get the hype it gets at Sundance. Two films that peaked at Sundance 2012, “Hello I Must Be Going” and “Nobody Walks” were recently released on DVD. One is worth your time while the other never should have come off the snowy mountain.
CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of “Promised Land” with Matt Damon from “Good Will Hunting” director Gus Van Sant!
CHICAGO – From the very beginning of her screen career, Olivia Thirlby has specialized in playing youthful seductresses intent on jump-starting their male partners’ sexual coming-of-age. She exuded megawatt allure in everything from David Gordon Green’s “George Washington” to Brett Ratner’s memorable segment in “New York, I Love You.”