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John Krasinski

Film Review: ‘Detroit’ is Stark, Blunt & Honest U.S. History

CHICAGO – It has become clear to anyone who is making an observation about authority and “order” in America, that for certain people it comes with a severe price. “Detroit” explores an incident within the 1967 riots there, when white police officers raided a hotel and perpetuated crimes of their own.

Film Feature: Top 20 Interviews of 2016, by Patrick McDonald

CHICAGO –To quote the sublime Bruce Springsteen, it’s just “talk, talk, talk ‘til you lose your patience.” Well, that ain’t HollywoodChicago.com’s Patrick McDonald, who throws down the über-interview on a series of movers, shakers and magical filmmakers. Oscar Day is perfect for the Top 20 talks of 2016.

Interview: John Krasinski Turns Toward Family in ‘The Hollars’

CHICAGO – Any story involving family interactions is ripe for exploration, and John Krasinski (“The Office”) performs in and takes the director’s chair for the new film, “The Hollars.” This is his second directorial effort, looking at the somewhat dysfunctional title family during a medical crisis involving the mother (Margo Martindale).

Interview: The Men of ‘13 Hours: The Secret Soldiers of Benghazi’

CHICAGO – Director Michael Bay’s new film interpretation of the controversial Libyan battle, “13 Hours: The Secret Soldiers of Benghazi,” began with the true events. Consulting the production were three of the actual participants in that tense battle, Kris “Tanto” Paronto, Mark “Oz” Geist and John “Tig” Tiegan.

Film Review: Unusual, Passionate ‘Aloha’ is Deeply Resonant

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Film Review: Wondrous Last Act for Hayao Miyazaki in ‘The Wind Rises’

The Wind Rises

CHICAGO – The master animator and film legend Hayao Miyazaki (“Howl’s Moving Castle,” “Spirited Away,” “Princess Mononoke”) announced his retirement after his latest film, “The Wind Rises.” He is often called “Japan’s Walt Disney,” but there is more to him then that, a soul and a mystery that is revealed in the stages of his animated art, and his contribution to artistic culture will continue to influence for generations to come. “The Wind Rises” is nominated for Best Animated Film at the 2014 Academy Awards.

Blu-ray Review: ‘Promised Land’ Leaves Potential of Premise Unrealized

Promised Land Blu-ray

CHICAGO – When a film promises to tackle a timely topic like fracking, it has raised the bar of expectations considerably. Sure, the filmmakers don’t need to take a stand on the issues they raise, but they have an obligation to explore them with some level of depth or insight. Otherwise, they risk getting charged with committing a “bait and switch,” and that’s precisely what Gus Van Sant’s “Promised Land” does.

DVD Review: Sundance Hits with Different Results in ‘Hello I Must Be Going,’ ‘Nobody Walks’

Hello I Must Be Going Review

CHICAGO – As I learned on my inaugural trip to Sundance (check out all the coverage here) this year, there is common discussion as to how things will play outside of the thin mountain air of Park City. People wonder what will be the next “Beasts of the Southern Wild” or “Winter’s Bone” and what will never get the hype it gets at Sundance. Two films that peaked at Sundance 2012, “Hello I Must Be Going” and “Nobody Walks” were recently released on DVD. One is worth your time while the other never should have come off the snowy mountain.

Film Review: Gus Van Sant’s ‘Promised Land’ Breaks Promise to Audiences

CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.”

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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