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Film Review: Suspenseful ‘Life’ is Tense, Compelling Science Fiction

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

Film Review: Anti-Heroism of ‘Deadpool’ Revels in Sass & Violence

CHICAGO – It was inevitable that we would get an “R-rated” superhero movie, and “Deadpool” fits the bill with its swears, violence and a little sex/nudity. It also has Ryan Reynolds as that hero, doing his “Van Wilder” smarmy act to the nth degree. How that all works will determine how you like the film.

Film Review: Trite ‘Woman in Gold’ Lacks a Compelling Story

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

Interview: Director Simon Curtis Fashions the ‘Woman in Gold’

CHICAGO – The painting “Portrait of Adele Bloch-Bauer” was created by Austrian artist Gustav Klimt, and was considered Austria’s greatest artwork. The remarkable journey of the painting, stolen from its original Jewish family by the Nazis during World War II, is the basis for the new film, “Woman in Gold,” directed by Simon Curtis.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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