CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – In the memorable film “Barton Fink,” the title character is asked to write a wrestling movie for Wallace Beery. If Fink had isolated himself long enough, he might have come up with “Foxcatcher,” demonstrating once again that a true story is much stranger than fiction.
CHICAGO – There are many categories of film director types – facilitators, tacticians, framers, to name a few – but there are few real artists. Bennett Miller has guided three films in his career, “Capote,” “Moneyball” and his latest “Foxcatcher.” All three have a purposeful artistry, and explore the soul within the humanity it portrays.
CHICAGO – USA’s mini-series “Political Animals” should have been one of the TV events of 2012. Instead it was just one of its biggest disappointments. That cast! That subject! In a political, election season! Zzzzzzz. Sadly, the creators of “Political Animals” delivered a program more like “Dallas” than “The West Wing” and viewers tuned out to the degree that the potential second season was canned. Now we can see what went wrong in one lackluster DVD set.
HollywoodChicago.com Hookup: 40 Pairs of ‘Lee Daniels’ The Butler’ Tix with Forest Whitaker, Oprah WinfreySubmitted by HollywoodChicago.com on August 11, 2013 - 10:29pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated “Lee Daniels’ The Butler” starring Forest Whitaker and Oprah Winfrey!
CHICAGO – I’ll never forget the moment I became a fan of Ralph Fiennes. It was while watching the behind-the-scenes documentary on the “Prince of Egypt” DVD. He was voicing the scene where his character, Ramses, shouts at Moses across the Red Sea. As he stood next to the mic, Fiennes’ entire body underwent a transformation, as if he were summoning a storm that coursed through his veins. He then let out the sort of howl that could easily part water.
CHICAGO – I’ve never been a huge fan of “Camelot” but I love musicals of this era (including a few Lerner & Loewe hits like “Brigadoon” and “My Fair Lady”) and I adore both Richard Harris and Vanessa Redgrave. So I approached the recent Blu-ray release hoping that the many years since I had last seen “Camelot” would improve the film. Sadly, it’s still not one of my favorites even if this is a strong HD release.
CHICAGO – I have a sneaking suspicion that if The Weinstein Company had acquired this film and released it during the 2011 awards season, Rachel Weisz would currently be an Oscar nominee. After playing an assortment of vulnerable, photogenic damsels throughout her career, Weisz delivers her most potent and compelling work to date in Larysa Kondracki’s fact-based thriller.
CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.
CHICAGO – Kicking off our annual series of year-end film features, we begin with the ensemble players, the supporting cast members who provided the necessary dramatic support to allow their leading men and women to shine.
CHICAGO – Roland Emmerich has been commonly mocked for his larger-than-life blockbusters that include “Godzilla,” “The Day After Tomorrow,” and “2012.” I would rather sit through a marathon of all three of those works back-to-back-to-back than suffer through “Anonymous” one more time. While those movies have undeniable flaws, they do so on a grand scale common with the words guilty pleasure. There’s absolutely nothing pleasurable about this self-serious and remarkably stupid drama.