Philip Seymour Hoffman
CHICAGO – I’m always stunned when anyone calls P.T. Anderson’s very divisive “The Master” boring. There are a number of totally valid criticisms that can be thrown at the film but it’s never boring.
CHICAGO – Those who know the language of music at its highest levels seemingly know the secret of the world. But as “A Late Quartet” demonstrates, they also possess the same human foibles as the rest of us. Philip Seymour Hoffman, Catherine Keener and Christopher Walken portray maestros at an emotional crossroads.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of movie passes up for grabs to the advance screening of “A Late Quartet” starring Philip Seymour Hoffman and Christopher Walken!
CHICAGO – ‘The Master’ is the type of film that invites days of contemplation. It is a film about America, but only a certain type of American. It is a film about the need to belong, but in the end it separates all its characters away from each other. Lead actors Philip Seymour Hoffman and Joaquin Phoenix radicalize writer/director P.T. Anderson’s strange alchemy.
CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.
CHICAGO – One of the more surprising choices this week by the Academy of Motion Pictures Arts and Sciences was to cite the Adapted Screenplay for George Clooney’s “The Ides of March,” recently released on DVD and Blu-ray. The Ryan Gosling-led drama has some strengths, but it’s script is the weakest element of the film. The sheer force of talent of the people who bring it to life may have led some to believe it’s better than it actually is. See for yourself.
CHICAGO – Bennett Miller’s “Moneyball” is one of those films that was circling around my top ten when it came time to write it in December. Honestly I had about fifteen films that could have fallen anywhere between 6-20 (my top five was pretty set as I saw those films). I rewatched many of those movies to determine where they should be and one of the most rewarding second viewings in there was the story of Billy Beane and the Oakland A’s. This is a great movie that only gets deeper the second and even third time (and ended up #7 on my list and #5 on Patrick McDonald’s before winning the CFCA Award for Best Adapted Screenplay. Don’t miss it.
CHICAGO – George Clooney’s “The Ides of March” is a star-studded political thriller of the variety that was made much more commonly in the ‘70s and would therefore seem like a perfect vehicle to restart for today’s controversial times.
CHICAGO – Using sports, especially baseball, as a metaphor for life can get dicey – sometimes the symbolic pieces don’t fit universally for everything. But “Moneyball, ” starring Brad Pitt, hits a grand slam with this old allegory, and educates regarding the true nature of modern large dollar sports.
CHICAGO – Most Coen brother releases on Blu-ray are going to cause a ripple through the film-loving community. Who doesn’t want to own “Fargo,” “Miller’s Crossing,” and even less-beloved films like “The Man Who Wasn’t There” or “The Hudsucker Proxy” in 1080p? Joel and Ethan Coen have long been visually-gifted filmmakers and those gifts shine through brightly in HD. But the release of the massively-adored “The Big Lebowski” in a special Blu-ray edition? Well, that’s more of a wave than a ripple.