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Jon Stewart

Interview: The Story of Maziar Bahari in Jon Stewart’s ‘Rosewater’

CHICAGO – Journalists are under fire, both in the hot zones of the world’s conflicts, and within the economics of the shrinking news business. One journalist – Maziar Bahari – became part of the drama in the 2009 Iranian presidential elections, and that story is told in writer/director Jon Stewart’s new film, “Rosewater.”

Slideshow: John Oliver Performs at Just for Laughs Chicago

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CHICAGO – The British wit John Oliver has stormed the shores of the former colonies with his dry antics, as featured correspondent on “The Daily Show” and his recurring role on “Community.” His stand-up was featured at the TBS “Just for Laughs Chicago” comedy festival, playing before a packed house at The Vic Theater.

Film Review: Obsessive, Intriguing ‘Conan O’Brien Can’t Stop’

CHICAGO – It’s the movie poster that says it all. The familiar red-headed talk show host, now bearded, resting his head against an ever-present microphone. The show must go on for “Conan O’Brien Can’t Stop.”

HollywoodChicago.com Analyzes 10 Oscar Contenders For Best Actor, Actress

CHICAGO – HollywoodChicago.com film critic Adam Fendelman has analyzed the 10 nominated contenders (five men for best actor and five women for best actress) and reveals his selections for the top prize. Hosted by Jon Stewart, the 80th Academy Awards ceremony will be presented in one form or another on Feb. 24, 2008.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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