CHICAGO – Chris Rock isn’t a huge writer/director, but when he does make a film, it’s an event to consider. For example, he made black president tale “Head of State” long before then-senator Barack Obama was even considered for the real-life role, and whether behind the stand-up mic or in an interview, he’s a voice to be reckoned with.
CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.
CHICAGO – Dan Fogelman is a familiar behind-the-scenes creator, having wrote scripts and screenplays for “Cars,” “Fred Claus,” “Tangled,” “The Guilt Trip” and “Crazy, Stupid, Love.” He takes on his first directorial effort, the story of “Danny Collins,” a faded rock star who finds redemption through a lost letter from John Lennon.
CHICAGO – When traveling on a Nicolas Cage trip, it’s best to buckle up. Director David Gordon Green collaborated with Cage on the new film, “Joe,” and actor Tye Sheridan (“Tree of Life,” “Mud”) was Cage’s teenage co-star. Cage portrays the title character, a reformed hellraiser who can’t help but have sympathy for a lost soul.
CHICAGO – With the larger-than-life acting tics that have invaded most of Al Pacino’s performances in the last twenty years, it seemed inevitable that the actor was the only person who could possibly play a notable loon like Phil Spector. In tonight’s HBO movie named after the legendary producer, Pacino chews the scenery as one would expect but it’s Helen Mirren who steals the piece from the Oscar winner.
CHICAGO – There are still a stunning number of films from the ’90s and ’00s not on Blu-ray but BVHE recently corrected one of those oversights by releasing the stellar “The Insider,” one of the best films of arguably the best year for cinema in the last two decades — 1999.
CHICAGO – Three actors, with three Oscars and an astounding 14 nominations between them, obviously have lost the ability to read a script late in their careers. That or the producers had dirt on them. There is no other reason why Al Pacino, Alan Arkin and Christopher Walken would be the “Stand Up Guys.”
CHICAGO – I wonder when Brian De Palma and Al Pacino were making “Scarface” if they had any idea how much of a phenomenon they were about to unleash on the world. “Scarface” is no mere movie. It has had more of a shelf life than most of the superhero, fantasy, and typically fan-centric films of its day.
CHICAGO – Adam Sandler has become such a lazy filmmaker that he’s now just building films around his personal vacation schedule. He wanted to take an outdoors-y vacation with his friends and the result was “Grown Ups.” He wanted to go to Hawaii and the result was “Just Go With It.” He wanted to take a cruise and we have to sit through “Jack and Jill.”
CHICAGO – With the right role and the right director, Channing Tatum manages to convince me that he is in fact a decent actor. He’s delivered enough solid work to illustrate that he’s more than just empty eye candy (in other words, he’s no Taylor Lautner). So why does Tatum continue to forge collaborations with Dito Montiel, a director who has a knack for making him look like an amateur?