CHICAGO – William Friedkin’s “Killer Joe” is one of the most underrated films of 2012. Sure, it has its fans, but the movie made almost nothing in theaters (around $3.5 million worldwide) and didn’t make enough year-end lists for my tastes. The cast rules, the script from Tracy Letts’ play is stellar, and the design is perfect. If you can handle your noir with a heavy dose of greasy malevolence, it’s a definite rental you’ll want to make.
CHICAGO – William Friedkin’s film of Tracy Letts’ “Killer Joe” takes no prisoners. One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying “The Avengers” features a few superheroes. However, it would be a mistake to allow the controversy or the shock value to become the story of this excellent noir comedy that takes black humor to a new level of darkness.
CHICAGO – Now that I’ve seen William Friedkin’s stunning adaptation of Tracy Letts’ “Killer Joe” with Matthew McConaughey and Juno Temple, I can only imagine what it must have been like to experience its intensity in a small theater in Evanston nearly twenty years ago.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 admit-two movie passes up for grabs to the advance screening of “Killer Joe” (rated “NC-17”) starring Matthew McConaughey and Emile Hirsch from playwright Tracy Letts!
CHICAGO – Oliver Stone is back! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new Oliver Stone film “Savages”!
CHICAGO – “The Darkest Hour,” recently released on Blu-ray and DVD, may seem like a fun sci-fi action option for movie night. It is not. There’s nothing fun about this horrifically made film, easily one of the worst of 2011. It’s stunningly bad, almost as if it was made by college students. Otherwise talented actors get sucked into awful performances (both male leads have never given less genuine performances), the special effects are horrible, and there’s never even the slightest flicker of anything worth giving a damn about.
CHICAGO – Ang Lee’s take on the landmark music festival isn’t a film so much as a filmed idea. It aims to capture the atmosphere of the concert without ever showing the actual music. Of course, the real show was the crowd itself.
CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.
CHICAGO – In our latest trippy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the highly anticipated Chicago screening of “Taking Woodstock” from Oscar-winning director Ang Lee (“Brokeback Mountain” and “Sense and Sensibility”).
Blu-Ray Rating: 4.0/5.0
CHICAGO – With the help of Dustin Lance Black’s Oscar-winning screenplay, Sean Penn’s Oscar-winning performance, Josh Brolin’s Oscar-nominated performance, James Franco’s Spirit Award-winning performance and Gus Van Sant’s Oscar-nominated direction, Harvey Milk has been brought back from the dead.