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Emile Hirsch

Film Review: Peter Berg’s Brutal ‘Lone Survivor’ Lacks Context

Imagine a version of “Saving Private Ryan” that takes place entirely on the beaches of Normandy. It would have a visceral power purely through the horror of the recreation of war. However, it would lack the context of the rest of the narrative and lead one to question why the cinematic trip was worth taking.

Interview: The Polsky Brothers Activate ‘The Motel Life’

CHICAGO – Alan and Gabe Polsky are brothers, film producers and now directors. The sibling tandem make their debut with “The Motel Life,” featuring Emile Hirsch and Stephen Dorff as disparate brothers trying to make a go in life with no money and no prospects, just a series of random motels and their unbreakable kinship.

Film Review: Deep Two Character Drama Flavors ‘Prince Avalanche’

CHICAGO – Take actors Paul Rudd and Emile Hirsch, make them highway line painters, put them in a fire-ravaged woodland and the makings for a savory two character portrait is realized in “Prince Avalanche.” David Gordon Green adapted and directed this appealingly offbeat art film.

Interview: Director David Gordon Green Crowns ‘Prince Avalanche’

CHICAGO – Director David Gordon Green has created a variety of popular and revered movies – from his breakthrough “George Washington” (2000) to his latest, the uniquely titled “Prince Avalanche.”

Blu-ray Review: Matthew McConaughey Mesmerizes in Great ‘Killer Joe’

Killer Joe

CHICAGO – William Friedkin’s “Killer Joe” is one of the most underrated films of 2012. Sure, it has its fans, but the movie made almost nothing in theaters (around $3.5 million worldwide) and didn’t make enough year-end lists for my tastes. The cast rules, the script from Tracy Letts’ play is stellar, and the design is perfect. If you can handle your noir with a heavy dose of greasy malevolence, it’s a definite rental you’ll want to make.

Film Review: Matthew McConaughey Delivers in Searing ‘Killer Joe’

CHICAGO – William Friedkin’s film of Tracy Letts’ “Killer Joe” takes no prisoners. One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying “The Avengers” features a few superheroes. However, it would be a mistake to allow the controversy or the shock value to become the story of this excellent noir comedy that takes black humor to a new level of darkness.

Interview: Pulitzer Prize Winner Tracy Letts Unleashes ‘Killer Joe’

CHICAGO – Now that I’ve seen William Friedkin’s stunning adaptation of Tracy Letts’ “Killer Joe” with Matthew McConaughey and Juno Temple, I can only imagine what it must have been like to experience its intensity in a small theater in Evanston nearly twenty years ago.

HollywoodChicago.com Hookup: 30 Pairs of Passes to ‘Killer Joe’ (NC-17) With Matthew McConaughey

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 admit-two movie passes up for grabs to the advance screening of “Killer Joe” (rated “NC-17”) starring Matthew McConaughey and Emile Hirsch from playwright Tracy Letts!

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Savages’ From Oliver Stone with Taylor Kitsch

CHICAGOOliver Stone is back! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new Oliver Stone film “Savages”!

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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