CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
CHICAGO – At this point in his stellar career, what is fascinating about Woody Allen is basically what he thinks about. He is a successful, family-stable, millionaire filmmaker with mortality issues. In “Irrational Man,” he ponders the existential question of “what lights the spark of life?”
CHICAGO – It was a Chicago moment for the legendary filmmaker Woody Allen, as he walked the Red Carpet on behalf of his latest film, “Irrational Man.” He was joined by a co-star in the film, Parker Posey, and HollywoodChicago.com was there to capture these Exclusive Portraits.
CHICAGO – HollywoodChicago.com presents our red-carpet video coverage of the “Irrational Man” premiere in Chicago on July 17, 2015. We interview legendary filmmaker Woody Allen and star Parker Posey at the Bellwether Meeting House & Eatery.
Woody talks about newly using Emma Stone and Parker Posey in his films, a different aspect ratio, possibly filming in Chicago, his upcoming 2016 film and more.
CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new crime drama “Inherent Vice” starring Joaquin Phoenix from Paul Thomas Anderson!
CHICAGO – Just in time for a national holiday is the release of two films about surviving as “the outsider” in a tumultuous American society. “X-Men: Days of Future Past” isn’t the only movie that opines about how the outsider will survive in America.
As a full-time film/TV/game critic and father of three, I very rarely have time to watch something more than once, even if it’s my favorite of the year. And yet I’ve revisited Spike Jonze’s “Her” twice now (for a total of three viewings) and it’s that very rare film that gets richer and more emotionally engaging with each subsequent viewing. I think by the end of the year, it might be my favorite film of 2013.
How do we connect with other people? Why do we often push away those we need and stay with those we don’t? Why do we hold on to relationships long after they have stopped working? Is a physical relationship with no intellectual or emotional component somehow more valuable than one that can never be person-to-person but engages on a deeper level? And how do the ways we deal with love and loss impact the way we look at the rest of the world? And why aren’t more movies as good as “Her”?
A fictional folk singer who feels real, a real moneymaker who feels fictional, a young woman dealing with her own wounds by helping to heal those of others, and a student discovering her sexuality through the first passionate relationship of her life — 2013 was one of the best years for lead performances in decades.
CHICAGO – I’m always stunned when anyone calls P.T. Anderson’s very divisive “The Master” boring. There are a number of totally valid criticisms that can be thrown at the film but it’s never boring.