CHICAGO – Chris Rock isn’t a huge writer/director, but when he does make a film, it’s an event to consider. For example, he made black president tale “Head of State” long before then-senator Barack Obama was even considered for the real-life role, and whether behind the stand-up mic or in an interview, he’s a voice to be reckoned with.
CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new crime drama “Inherent Vice” starring Joaquin Phoenix from Paul Thomas Anderson!
CHICAGO – Just in time for a national holiday is the release of two films about surviving as “the outsider” in a tumultuous American society. “X-Men: Days of Future Past” isn’t the only movie that opines about how the outsider will survive in America.
As a full-time film/TV/game critic and father of three, I very rarely have time to watch something more than once, even if it’s my favorite of the year. And yet I’ve revisited Spike Jonze’s “Her” twice now (for a total of three viewings) and it’s that very rare film that gets richer and more emotionally engaging with each subsequent viewing. I think by the end of the year, it might be my favorite film of 2013.
How do we connect with other people? Why do we often push away those we need and stay with those we don’t? Why do we hold on to relationships long after they have stopped working? Is a physical relationship with no intellectual or emotional component somehow more valuable than one that can never be person-to-person but engages on a deeper level? And how do the ways we deal with love and loss impact the way we look at the rest of the world? And why aren’t more movies as good as “Her”?
A fictional folk singer who feels real, a real moneymaker who feels fictional, a young woman dealing with her own wounds by helping to heal those of others, and a student discovering her sexuality through the first passionate relationship of her life — 2013 was one of the best years for lead performances in decades.
CHICAGO – I’m always stunned when anyone calls P.T. Anderson’s very divisive “The Master” boring. There are a number of totally valid criticisms that can be thrown at the film but it’s never boring.
CHICAGO – I worked my way through the best supporting performances of 2012 earlier today and I’m back with the much-stronger array of actors and actresses who challenged themselves with great leading performances in film this year.
CHICAGO – ‘The Master’ is the type of film that invites days of contemplation. It is a film about America, but only a certain type of American. It is a film about the need to belong, but in the end it separates all its characters away from each other. Lead actors Philip Seymour Hoffman and Joaquin Phoenix radicalize writer/director P.T. Anderson’s strange alchemy.
CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.