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Werner Herzog Towers Over Miscast ‘Jack Reacher’ Star Tom Cruise in Five Mere Scenes

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – While normally I’d never think the date I screened a film was newsworthy, being subjected to “Jack Reacher” on Dec. 13, 2012 turned out to put even a therapist into therapy. The very next day, well, just two words: Sandy Hook.

Loud, Boring ‘Wrath of the Titans’ Deserves Godly Vengeance

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar. How about “Smash of the Titans”? “Flash of the Titans”? “Bash of the Titans”? They ultimately settled on “Wrath of the Titans,” although “Trash of the Titans” or “Crap of the Titans” would have been more accurate.

Sally Hawkins Gives Another Strong Performance in ‘Made in Dagenham’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Nigel Cole’s “Made in Dagenham” works because of the strong, believable performances of its ensemble, even if it doesn’t quite resonate with the same strength as other tales of ordinary people who became revolutionary role models.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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