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Ben Affleck

Ben Affleck Can’t Save Limp ‘Runner Runner’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Off shore internet gambling sites, tons of money, glorious glamorous women, parties all the time – how the heck can all of that be dull? The new film “Runner Runner” found a way. Ben Affleck phones it in and Justin Timberlake is name recognition window dressing in this limp drama.

Terrence Malick’s ‘To the Wonder’ Nearly Drowns in its Own Beauty

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Deservedly renowned as one of our greatest living filmmakers, Terrence Malick has a reputation for taking his time with each project. He won’t make a picture unless he feels a burning desire to make it, and will put directing on the back burner for two decades, if necessary, in order to pursue other interests. He’s never made what could be conceivably considered a minor work—until now.

Ben Affleck Reaches Career Peak with Tense, Masterful ‘Argo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Ben Affleck has reached the apex of his already impressive directorial career with the stunning “Argo,” a tight, tense machine of a film, a masterwork that delivers as comedy, action, drama, and more. Critics see movies all the time that we understand may produce a divided response. We get that many acclaimed films won’t make a dent with the populous.

Ben Affleck, Tommy Lee Jones Are ‘The Company Men’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Dealing with an overall economic downturn, as the world is still experiencing, becomes the story of the individual. The frustration and insecurity that develops in a long dry spell is poignantly rendered in writer/director John Well’s “The Company Men.” Ben Affleck joins Oscar winners Tommy Lee Jones, Chris Cooper and Kevin Costner in telling the story.

Ben Affleck’s ‘The Town’ Proves ‘Gone Baby Gone’ Wasn’t Beginner’s Luck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.

Russell Crowe, Ben Affleck Bring Spark to Mediocre ‘State of Play’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’ll be the first critic to tell you that they don’t make adult thrillers often enough. I was very disappointed by the lackluster box office take of Tony Gilroy’s ” Duplicity”. But does that mean that we should give all intellectual mysteries a pass? Of course not. And while I want to love Kevin Macdonald’s “State of Play,” a few poor decisions during production keep it back from being the excellent film it could have been.

Ben Affleck, Jennifer Aniston, Ginnifer Goodwin Nearly Save ‘He’s Just Not That Into You’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – If you’ve ever been speed dating or even just on a series of dates in a short period of time, it’s not that different from the back and forth between good and bad in the latest romantic comedy, “He’s Just Not That Into You,” a mixed bag of cliches, comedy, coincidences, and cute coupling starring Jennifer Aniston, Ginnifer Goodwin, and many, many more.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

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  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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