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Patricia Clarkson

‘Maze Runner: The Death Cure’ Has Run Out of Life

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

‘Maze Runner: The Scorch Trials’ is Dystopian Rambling

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie pundits are falling all over themselves to point out there is no maze running in “Maze Runner: The Scorch Trials,” so buyer beware! What began in the first film as a new take in the dystopian Young Adult movie genre, has become a scattered, uninteresting mess.

‘The Maze Runner’ a Cut Above Teenage Dystopia Genre

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Yes, the future world of teenage bleakness, so popular in “The Hunger Games” and “Divergent,” now has its own genre. “The Maze Runner” is an excellent entry, and gets over its stilted dialogue and scary monsters by adding in surprises and atmospheric mystery.

Opportunity For Insight Wasted in ‘The East’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Brit Marling is an undeniably smart, forward-thinking writer/actress in that she refuses to succumb to gender stereotypes and tries to chart her own way through the independent film movement. If this is true, and I still believe it is, why did “The East,” in which she stars and which she co-wrote, end up so frustratingly melodramatic? Why was the opportunity for true commentary or even character development within this fascinating world discarded in favor of an awkwardly-staged and poorly-written love story laden with genre tropes? I so wanted to like “The East,” but it never pointed me in the direction where I could do so.

Romantic Coupling of ‘One Day’ Rises Above Average

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the sure hands of director Lone Scherfig, the underrated film “An Education” brought Carey Mulligan to full light. Anne Hathaway and Jim Sturgess generate similar radiance in Scherfig’s new film, “One Day.”

Mila Kunis, Justin Timberlake Try ‘Friends With Benefits’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It seems that carnal canoodling without strings attached seems all the rage in romantic comedies these days. The twentysomething set, having seen their share of divorces and break-ups, prefer the Justin Timberlake and Mila Kunis method in “Friends with Benefits.”

Low Grade on Report Card For ‘Easy A’ With Emma Stone

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO - “Easy A” is simply a hard film to swallow. Set in a high school on another planet, it wants everything and ends up giving very little. The cast is game - Emma Stone, Patricia Clarkson, Stanley Tucci, Thomas Haden Church and Lisa Kudrow - but with few exceptions the players cannot handle the lead balloon banter that passes for jokey dialogue. It wants also to be a grand statement on gossip and those who get hurt by it, but perky Stone doesn’t seem that affected.

‘Cairo Time’ Bests Season’s Female-Centric Blockbusters

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A delicious sip of tea, a cool fragrant breeze, a stroll through a gorgeous foreign landscape. These are but a few of the sensations moviegoers will experience in “Cairo Time,” a deceptively simple, tenderly lyrical love story that is quite simply the most refreshing cinematic surprise of the season. I don’t want to overpraise this lovely little morsel. It’s meant to be savored, and has a rich aftertaste.

Take Trip to Riveting ‘Shutter Island’ With Leonardo DiCaprio

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Shutter Island” is a riveting trip through a cinematic funhouse led by one of the best filmmakers of all time in Martin Scorsese, who fully employs the copious skills of his most talented collaborators including star Leonardo DiCaprio. It is a technical masterpiece that gets under your skin and stays there for days.

Hit-or-Miss Mastermind Woody Allen Recaptures Genius With Eccentric ‘Vicky Cristina Barcelona’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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