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Martin Scorsese

Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our Demons

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.

Martin Scorsese’s ‘The Wolf of Wall Street’ is Cinematic Adrenalin

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world. People who make their living on the minute-to-minute fluctuations of the stock market are inherently going to be inclined to live in the small spaces between those quick deviations but Belfort was even more so given the fact that his first day as a legit money maker was on the day the entire economy collapsed in 1987 known as “Black Monday.”

‘The Family’ Whacks Obsession with Mafia Movies

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “The Godfather” saga, “Goodfellas,” “Donnie Brasco,” “The Departed” – the list of America’s obsessive adoration of organized crime and mafia movies goes on and on. Finally, one film comes along to virtually kill the genre, the almost-unwatchable “The Family.”

Pulse-Pounding Action, Complexity Define ‘Easy Money’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Desperation is the best emotion for formulating action movies. There is something basic and true about a chase, for example, or a heist gone bad, when it’s the “end of the world” for a character or circumstance. “Easy Money” has that vibe, and delivers on some great sequences.

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

Gorgeous ‘Hugo’ Plays Like Cinematic Snow Globe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

Nothing is Real With Andy Garcia, Julianna Margulies on ‘City Island’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A blue collar worker father who has a secret Marlon Brando obsession (gasp!), a son with an improbable fetish and a daughter who quits college to…strip, this is a normal day-in-the-life in the new film “City Island.”

Take Trip to Riveting ‘Shutter Island’ With Leonardo DiCaprio

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Shutter Island” is a riveting trip through a cinematic funhouse led by one of the best filmmakers of all time in Martin Scorsese, who fully employs the copious skills of his most talented collaborators including star Leonardo DiCaprio. It is a technical masterpiece that gets under your skin and stays there for days.

Ignoring Old Show-Business Rules, Rolling Stones Brightly ‘Shine a Light’

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – In The Beatles versus The Rolling Stones debate (which no one under 40 would have), I’m decidedly in the corner of the Fab Four. I do acknowledge, however, the sheer stamina and staying power of The Rolling Stones.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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