CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.
CHICAGO – No matter how many films he makes, Julian Schnabel may always consider himself a painter first. Watching one of his cinematic efforts is akin to being pulled headfirst into the vivid and visceral canvas of a true neo-expressionist. His work aims to engulf the viewer. It shatters the barriers between a contrived character’s existence and that of the flesh-and-blood audience.
CHICAGO – A delicious sip of tea, a cool fragrant breeze, a stroll through a gorgeous foreign landscape. These are but a few of the sensations moviegoers will experience in “Cairo Time,” a deceptively simple, tenderly lyrical love story that is quite simply the most refreshing cinematic surprise of the season. I don’t want to overpraise this lovely little morsel. It’s meant to be savored, and has a rich aftertaste.