Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – No matter how many films he makes, Julian Schnabel may always consider himself a painter first. Watching one of his cinematic efforts is akin to being pulled headfirst into the vivid and visceral canvas of a true neo-expressionist. His work aims to engulf the viewer. It shatters the barriers between a contrived character’s existence and that of the flesh-and-blood audience.
CHICAGO – A delicious sip of tea, a cool fragrant breeze, a stroll through a gorgeous foreign landscape. These are but a few of the sensations moviegoers will experience in “Cairo Time,” a deceptively simple, tenderly lyrical love story that is quite simply the most refreshing cinematic surprise of the season. I don’t want to overpraise this lovely little morsel. It’s meant to be savored, and has a rich aftertaste.