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Jackie Earle Haley

‘RoboCop’ Reboot Lacks Fun Factor, Fearful Villain

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You get the sense that a writer for the new “RoboCop” felt very proud of himself when he coined the cheeky word “robophobic” as a play on a current cultural hot button. The Samuel L. Jackson moment of self-fulfilled glory reminded me of the rest of the plot that was missing.

Keep Tim Burton’s ‘Dark Shadows’ Out of the Light

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

‘A Nightmare on Elm Street’ Remake Plays Like a Bad Dream

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.

Take Trip to Riveting ‘Shutter Island’ With Leonardo DiCaprio

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Shutter Island” is a riveting trip through a cinematic funhouse led by one of the best filmmakers of all time in Martin Scorsese, who fully employs the copious skills of his most talented collaborators including star Leonardo DiCaprio. It is a technical masterpiece that gets under your skin and stays there for days.

Zack Snyder Turns ‘Watchmen’ Into Loud, Disjointed, Brutal Mess

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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