Leonardo DiCaprio

Manifest Infamy! On-Air Review of ‘Killers of the Flower Moon’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 19th, 2023, reviewing “Killers of the Flower Moon,” the 26th feature film directed by Martin Scorsese and featuring Leonardo DiCaprio. In theaters on October 20th, 2023.

Objects Appear Closer! On-Air Review of ‘Don’t Look Up’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show on WSSR-FM (Star 96.7 Joliet, Illinois) on December 30th, 2021, reviewing the new Adam McKay film satire “Don’t Look Up,” currently streaming on Netflix.

Holy Macanoli, Punky Rocks! On-Air Review of ‘Kid 90’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show on WSSR-FM (Star 96.7 Joliet, Illinois) on March 12th, 2021, reviewing the new documentary “Kid 90,” streaming on HULU beginning on Friday, March 12th.

‘Once Upon a Time in Hollywood’ is a Cinematic Poem

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – What does Quentin Tarantino think about? That question immediately comes to mind when experiencing his latest film “Once Upon a Time in Hollywood.” QT meditates on TV westerns, the summer of 1969 in Los Angeles and the Manson family, and it’s a tone and mood rather than a story. But it works.

Scorsese’s ‘The Wolf of Wall Street’ a Deliciously Gluttonous Inspection Into Our Demons

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – No matter how painfully bad it may be, I never walk out of a screening. It’s a professional rule I’ve set and keep it at all costs. But with Martin Scorsese’s latest stroke of genius, I experienced a kind of pain I don’t usually wrangle with: the survival of my bladder.

Martin Scorsese’s ‘The Wolf of Wall Street’ is Cinematic Adrenalin

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Jordan Belfort (Leonardo DiCaprio) lives completely, entirely in the moment. It’s not that there’s no tomorrow, there’s not even “later that same day” in his world. People who make their living on the minute-to-minute fluctuations of the stock market are inherently going to be inclined to live in the small spaces between those quick deviations but Belfort was even more so given the fact that his first day as a legit money maker was on the day the entire economy collapsed in 1987 known as “Black Monday.”

Ben Affleck Can’t Save Limp ‘Runner Runner’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Off shore internet gambling sites, tons of money, glorious glamorous women, parties all the time – how the heck can all of that be dull? The new film “Runner Runner” found a way. Ben Affleck phones it in and Justin Timberlake is name recognition window dressing in this limp drama.

Hollow ‘The Great Gatsby’ Mistakes Glitz For Passion

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s a scene in “The Great Gatsby” in which Jay Gatsby (Leonardo DiCaprio) is gleefully throwing multi-colored clothes down upon a smiling, spinning Daisy Buchanan (Carey Mulligan). While she seems happy at first, she ends up covered in colored fabric and crying. I knew how she felt.

Jamie Foxx Rides in Quentin Tarantino’s Incredibly Fun ‘Django Unchained’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Quentin Tarantino’s “Django Unchained” has some undeniable pleasures, the kind that erupt from the screenwriting abilities of one of the best movie scribes alive. Tarantino’s way with words and plotting are as honed as ever and he directs his super-talented cast to enjoyable performances all around.

Emotionally Galvanizing ‘Titanic 3D’ Transcends Unnecessary Conversion

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It takes more than expensive effects, super-sized egos and exhaustive marketing campaigns to seduce the world. For all of its visual splendor, James Cameron’s “Avatar” has already evaporated from most moviegoers’ memories. Its derivative romance and preachy messages were stretched so thin that they failed to achieve any resonant impact.

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