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Michelle Williams

‘All the Money in the World’ Has a Soft Landing

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.

Energy of Visual Cinema is the Power of ‘Wonderstruck’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In one of the coolest visual films of the Fall Season thus far, “Wonderstruck” is another winner from director Todd Haynes (“Carol”), who adapts a Young Adult graphic novel by Brian Selznick (who also wrote the screenplay). The wonder of it all, baby.

Casey Affleck Anchors ‘Manchester by the Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Story Dims Visionary ‘Oz the Great and Powerful’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

‘Take This Waltz’ with Michelle Williams, Seth Rogen

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

Michelle Williams is Luminous in ‘My Week With Marilyn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Bringing the popular culture past back to life in a movie is always a tricky proposition. No matter what, there are always inevitable comparisons to the real thing. They don’t come any more really famous than Marilyn Monroe, and Michelle Williams takes on a portrayal that exemplifies, honors and humanizes the iconic star in “My Week with Marilyn.” 

‘Meek’s Cutoff’ Turns Physical Journey Into Riveting Spiritual Drama

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Very few films have ever conveyed an impending sense of doom as successfully as Kelly Reichardt’s stunningly accomplished “Meek’s Cutoff,” a journey into the past that has resonance for any era. Which way do you go when you’ve lost the map? Who do you trust when you can’t see beyond the horizon? How does man simply keep moving forward when it’s so unclear where we’re going?

Ryan Gosling, Michelle Williams Are Heartbreakingly Real in ‘Blue Valentine’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Derek Cianfrance’s “Blue Valentine,” my pick last month for the 9th best film of 2010, is a devastatingly genuine representation of the first and final chapters of a marriage. It is a powerful drama, partially made so by a fantastic script, but mostly due to two of the best performances of the year from Ryan Gosling and Michelle Williams. Don’t miss it.

Take Trip to Riveting ‘Shutter Island’ With Leonardo DiCaprio

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Shutter Island” is a riveting trip through a cinematic funhouse led by one of the best filmmakers of all time in Martin Scorsese, who fully employs the copious skills of his most talented collaborators including star Leonardo DiCaprio. It is a technical masterpiece that gets under your skin and stays there for days.

Tepid Con Job Spoils Sexual Intrigue in ‘Deception’ With Ewan McGregor

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Despite its timid title, “Deception” has all the right ingredients for a decent tale of mystery: a strong premise, sound acting and the famous femme fatale. It even starts with a promising conviction: How does a background player in life deal with initiation into a secret society?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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