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Carey Mulligan

‘Inside Llewyn Davis’ Resonates Like Long-Lost Folk Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Films about musicians are remarkably common. Artists from one medium have always loved to put themselves in the well-worn shoes of craftsmen from another. Most of them are stories of an underrated talent rising to the top of his profession, designed for both audience and filmmaker to live vicariously through the protagonist’s success. “Inside Llewyn Davis,” the latest masterpiece from Joel & Ethan Coen, is not one of those stories.

Hollow ‘The Great Gatsby’ Mistakes Glitz For Passion

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – There’s a scene in “The Great Gatsby” in which Jay Gatsby (Leonardo DiCaprio) is gleefully throwing multi-colored clothes down upon a smiling, spinning Daisy Buchanan (Carey Mulligan). While she seems happy at first, she ends up covered in colored fabric and crying. I knew how she felt.

Michael Fassbender Stars in Riveting, Daring ‘Shame’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Steve McQueen’s “Shame” is a daring examination of isolation and addiction with the best performance of the year courtesy of Michael Fassbender and one that nearly matches it from the always-stellar Carey Mulligan. This is dark, confrontational material of the kind that too few major filmmakers are willing to tackle and it will haunt you for days after you see it. Don’t miss it.

Ryan Gosling Stars in Instant Classic ‘Drive’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Nicholas Winding Refn’s “Drive” is an amazing thriller, a modern examination of heroism filtered through the fairy tale culture of the underbelly of the movie machine that is easily one of the most memorable and effective films of not just this year but the last several.

Shia LaBeouf, Michael Douglas Drive Energetic ‘Wall Street: Money Never Sleeps’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”. The film is a great vehicle for Shia LaBeouf, Josh Brolin and Michael Douglas that occasionally disappoints but crackles more often than it fizzles.

Touching ‘The Greatest’ With Carey Mulligan Transcends Melodrama

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The surprisingly good “The Greatest” opens and closes with two very different car rides — one silent and mournful and one loud and full of laughter; one on the way from death and one on the way to life. They are bookends for a well-performed tearjerker of the kind that mostly transcends its melodramatic set-up to become something genuinely moving.

Jake Gyllenhaal, Tobey Maguire, Natalie Portman Not Relatable in ‘Brothers’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The transition from hot young actor to the domestic picket fence is about ten years and a shadowy crow’s foot. One day you’re a galaxy queen, superhero and Donnie Darko, next you’re playing house in “Brothers.”

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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