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Anne Hathaway

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Patrick McDonald: ‘The Dark Knight Rises’ is Glorious Epic of Heroic Proportions

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

Romantic Coupling of ‘One Day’ Rises Above Average

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the sure hands of director Lone Scherfig, the underrated film “An Education” brought Carey Mulligan to full light. Anne Hathaway and Jim Sturgess generate similar radiance in Scherfig’s new film, “One Day.”

Animated, Colorful ‘Rio’ Blends Into Mediocre Blur

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Rio” is a film that nearly defies critical review. There’s nothing particularly wrong with it and I can virtually guarantee you that the little ones in your family will be captivated by the talking, dancing birds with the colorful plumage. But it’s also a film that’s strikingly unmemorable.

Anne Hathaway, Jake Gyllenhaal in Unbearable ‘Love and Other Drugs’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Love and Other Drugs” celebrates everything that is wrong with America, wrapped in a package with two “it” stars doing a disservice to their emerging careers. The love depicted is random and somewhat damaged. The drugs are simply a cynical proclamation on how great Big Pharma is.

Go Ask ‘Alice in Wonderland’ With Johnny Depp, Anne Hathaway

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It’s like living in a dream. Director Tim Burton’s adaptation of Lewis Carroll’s “Alice in Wonderland” uses 3-D magic for a timeless classic and creates gratitude for this current era of technology and creativity.

In ‘Get Smart’ Lifeless Retread, Steve Carell Can’t Fill Don Adams’ Shoe

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Observing the new “Get Smart” film, which is based on the 1960s TV sitcom of the same name, is to note how much has changed since the Cold War ended.

KAOS and CONTROL – the U.S. and Russian spy agencies that square off in the movie – seem like relics of another era.

‘Snow Angels’ an Essential Examination of Yin, Yang in Our Vulnerable Lives

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Staying sane is truly an edge-of-the-knife proposition. We are all the sum of our past environments, our present circumstances and our future worries. The sludge that is generated by such a mixture becomes the psyche that’s ready to interact with other psyches we deem important or are forced to be around through family or commerce.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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