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Anne Hathaway

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

‘Les Misérables’ Paints Emotion in Widescreen Colors

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Patrick McDonald: ‘The Dark Knight Rises’ is Glorious Epic of Heroic Proportions

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

Romantic Coupling of ‘One Day’ Rises Above Average

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the sure hands of director Lone Scherfig, the underrated film “An Education” brought Carey Mulligan to full light. Anne Hathaway and Jim Sturgess generate similar radiance in Scherfig’s new film, “One Day.”

Animated, Colorful ‘Rio’ Blends Into Mediocre Blur

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Rio” is a film that nearly defies critical review. There’s nothing particularly wrong with it and I can virtually guarantee you that the little ones in your family will be captivated by the talking, dancing birds with the colorful plumage. But it’s also a film that’s strikingly unmemorable.

Anne Hathaway, Jake Gyllenhaal in Unbearable ‘Love and Other Drugs’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Love and Other Drugs” celebrates everything that is wrong with America, wrapped in a package with two “it” stars doing a disservice to their emerging careers. The love depicted is random and somewhat damaged. The drugs are simply a cynical proclamation on how great Big Pharma is.

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