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Mila Kunis

Strong Cast Makes ‘Bad Moms’ Good for Some Laughs

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Bad Moms” is another raunchy women behaving badly comedy that never met a curse word it didn’t like. But I’ll say this for ‘Bad Moms,’ it’s rebellion comes from a relatable place. What parent hasn’t wondered if they were in some way failing their children in some way by failing to live up to our pinterest levels of perfection?

‘Jupiter Ascending’ Might Cause Attention Descending

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Jupiter Ascending” is certainly one of the oddest and densest of sci-fi movies, this side of “Dune,” and has some of the most laughable acting and dialogue seen in a major film in awhile. But the worst offense is that the film is dull, and practically without emotion or human empathy.

‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Story Dims Visionary ‘Oz the Great and Powerful’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

Fearless Comedy of Seth MacFarlane’s Original ‘Ted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ted” is one of the most inventive and surprising films of the year. It has a sense of humor that will be very familiar to fans of writer/director Seth MacFarlane’s “Family Guy” but is refreshingly unique in a film genre that is too often stale. In fact, most of the Summer 2012 movies have been incredibly predictable and there’s NOTHING predictable about “Ted.”

Mila Kunis, Justin Timberlake Try ‘Friends With Benefits’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It seems that carnal canoodling without strings attached seems all the rage in romantic comedies these days. The twentysomething set, having seen their share of divorces and break-ups, prefer the Justin Timberlake and Mila Kunis method in “Friends with Benefits.”

Natalie Portman, Mila Kunis, Darren Aronofsky Stage Mesmerizing ‘Black Swan’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Darren Aronofsky’s “Black Swan” pulses with the kind of energy and life that we only see from cinema a few times a year. With creative expression rarely seen in American film and one of the best performances by an actress that you will ever see, “Black Swan” is a film that resonates for hours and even days after you see it. You won’t easily shake this masterpiece. And you won’t want to.

Steve Carrell, Tina Fey Go Dutch on the Laughs in ‘Date Night’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In this schizophrenic film, Steve Carrell and Tina Fey portray a “normal” couple from New Jersey who somehow become Steve Carrell and Tina Fey once they go on-the-town in New York City during “Date Night.”

Judd Apatow Again Fashions Gimmick Into Gold in Uproarious ‘Forgetting Sarah Marshall’

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – After being blitzed by an onslaught of attention-demanding advertising that begged the question “who is Sarah Marshall?” even before you realized it’s a film, anticipation was ravenous.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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