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Terrence Howard

Surprises Can’t Save ‘Sabotage’ From Bloody Carnage

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The crime thriller “Sabotage” is the least predictable and most intense of the handful of post-Governator action movies Arnold Schwarzenegger has starred in. Last year’s “The Last Stand” had a sense of humor about it, along with a nod to classic Westerns, that lightened the bloody violence, but here is a gritty film that proudly displays its tattoos and adrenaline in a testosterone-laced delivery.

The Gang Happily Reunites in ‘The Best Man Holiday’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Like a black “Big Chill,” the gang from the 1999 essential film “The Best Man” reunite to see old friends, celebrate the season, open old wounds and bury the past in a surprisingly serious yet emotionally spiritual sequel “The Best Man Holiday.”

Jake Gyllenhaal, Hugh Jackman Enter Darkness of ‘Prisoners’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – What would you do if your child was in jeopardy? We all love to answer quickly and instinctually that we would do absolutely anything but the fact is that we’re incredibly lucky to never be put in that situation. Would you torture someone else? What if you weren’t sure they were responsible?

Robert Redford Focuses on ‘The Company You Keep’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The golden age of the great Robert Redford occurred in the 1970s, when he participated in making passionate political statements with “All the President’s Men,” “The Candidate” and “Three Days of the Condor.” Redford stars in and directs a throwback to those times, the equally passionate yet softer-in-narrative “The Company You Keep.”

World War II-Era Tuskegee Airmen Fly in ‘Red Tails’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The courage of the Tuskegee Airmen cannot be denied. The all African American World War II fighter pilot squadron not only braved battle, but also the virulent prejudice of the 1940s. The new film “Red Tails” chronicles the circumstance of that squadron, with a sappy and overlong treatment.

Disney Magic is Hopping to New Orleans in ‘The Princess and the Frog’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The feature animation film tradition, invented by and fostered by the Walt Disney Company for close to 70 years, gets another glorious rendition in their latest release, “The Princess and the Frog.”

‘Iron Man’ Sits Indisputably in Club of Highest-Rated Superhero Movies of All Time

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.

Jodie Foster is Wicked, Wicked Witch With Furious Vengeance in ‘The Brave One’

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – Jodie Foster reinvents herself and plays a vigilante flung galaxies out of character in “The Brave One,” which opened on Friday.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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