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Jeff Bridges

Real Hunger Games are Exposed in ‘A Place at the Table’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There has been an attitude shift in America in a couple of generations toward the poor and unlucky in life. What was once a campaign to end poverty and take care of that part of the population, has turned into a demonization of them. This is one of the main themes in “A Place at the Table,” an overview of the continuing hunger problem in America.

Jeff Bridges, Matt Damon Ride the Lonely Plain of ‘True Grit’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “True Grit” seems like the perfect project for Joel and Ethan Coen; something they had been working toward their entire career. Not only had they made what could be considered a modern Western already in “No Country Old Men” but they were to bring together The Dude (Jeff Bridges) and Llewelyn Moss (Josh Brolin) under the magnificent lens of the great Roger Deakins. It nearly had to be a masterpiece.

Lopsided ‘TRON: Legacy’ is Heavy on Visuals, Light on Humanity

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Every great film is a delicate balance of a number of critical elements. Good films lack in one department while mediocre films have serious gaps that stick out like a red dress at a funeral. The overall mediocre “TRON: Legacy” is exceedingly fixated on its impressive visual effects while neglecting to focus on creating an evocative and humanized story.

‘Iron Man’ Sits Indisputably in Club of Highest-Rated Superhero Movies of All Time

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.


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  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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