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Jeff Bridges

Following a Two-Year Delay, ‘Seventh Son’ Should Have Been Shelved

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I can’t decide which is worse: the “fake deep talk” from Jeff Bridges in “Seventh Son” or the “angry whisper talk” from Eddie Redmayne in “Jupiter Ascending,” which also opened on Friday. Both speech impediments are ugly fish out of water, both films are getting punished by critics and both are underperforming at domestic box offices.

‘The Giver’ Takes Too Much From Young Adult Formula

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Giver” must have seemed a lot newer back when it was written than it does now. The Newberry Medal winning, middle school staple predates many other Young Adult series about oppressive big brother-ish societies. But its filmed adaptation, coming on the heels of “Divergent” and “The Hunger Games,” can’t help but feel like it’s riding their coattails.

Uninspired ‘R.I.P.D.’ is a Reminder of Better Movies

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Did everyone see “Men in Black”? Or the film’s two sequels? They you saw “R.I.P.D.,” which unfortunately for the production team has “rip” in the title, because the film is a lazy rewrite and rip-off of “MiB.” Jeff Bridges and Ryan Reynolds are the protectors assigned in this one.

Real Hunger Games are Exposed in ‘A Place at the Table’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There has been an attitude shift in America in a couple of generations toward the poor and unlucky in life. What was once a campaign to end poverty and take care of that part of the population, has turned into a demonization of them. This is one of the main themes in “A Place at the Table,” an overview of the continuing hunger problem in America.

Jeff Bridges, Matt Damon Ride the Lonely Plain of ‘True Grit’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “True Grit” seems like the perfect project for Joel and Ethan Coen; something they had been working toward their entire career. Not only had they made what could be considered a modern Western already in “No Country Old Men” but they were to bring together The Dude (Jeff Bridges) and Llewelyn Moss (Josh Brolin) under the magnificent lens of the great Roger Deakins. It nearly had to be a masterpiece.

Lopsided ‘TRON: Legacy’ is Heavy on Visuals, Light on Humanity

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Every great film is a delicate balance of a number of critical elements. Good films lack in one department while mediocre films have serious gaps that stick out like a red dress at a funeral. The overall mediocre “TRON: Legacy” is exceedingly fixated on its impressive visual effects while neglecting to focus on creating an evocative and humanized story.

‘Iron Man’ Sits Indisputably in Club of Highest-Rated Superhero Movies of All Time

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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